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A Corpus of Rembrandt Paintings

Part of the Stichting Foundation Rembrandt Research Project Book Series (volume 5)

DOI: 10.1007/978-1-4020-5786-1

ISBN: 978-1-4020-4607-0

Publisher: Springer Netherlands - Springer Journals

Dec 9, 2013

1 - 10 of 36 Chapters

Available

Towards a reconstruction of Rembrandt’s art theory

Van De Wetering, Ernst

Pages: 3 –140

[Rembrandt’s most famous painting The Nightwatch is very large — the canvas measures 387 × 502 cm — and origin ally it was even larger, approximately 420 × 550 cm. But when one surveys his entire oeuvre, including the drawings and etchings, one finds that the majority of Rembrandt’s works are...
Available

An illustrated chronological survey of Rembrandt’s small-scale ‘histories’: paintings, etchings and a selection of drawings

Van De Wetering, Ernst

Pages: 141 –258

[This chapter, unusual in some respects, is compiled with several interwoven objectives in view, which should perhaps be briefly summarized at the outset:]
Available

Rembrandt’s prototypes and pupils’ production of variants

Van De Wetering, Ernst

Pages: 259 –282

[Over the course of the Rembrandt Research Project, the project’s investigators were increasingly confronted with problems and questions related to the training of pupils in Rembrandt’s workshop, and with the workshop production that may have been associated with it.]
Available

On quality: Comparative remarks on the functioning of Rembrandt’s pictorial mind

Van De Wetering, Ernst

Pages: 283 –310

[Several small-scale history paintings from the period under discussion in this book can be attributed to Rembrandt with certainty on the basis of evidence other than style. In some cases, investigation of the support, the reconstruction of a painting’s genesis, analysis of the relations with...
Available

More than one hand in paintings by Rembrandt

Van De Wetering, Ernst

Pages: 311 –321

[In a 1969 article on Rembrandt as a teacher, Haverkamp-Begemann wrote that: ‘In spite of their ability to emulate Rembrandt’s style, they (Rembrandt’s pupils) apparently did not assist him to any substantial degree in his drawings, etchings and paintings. Not one painting is known of which the...
Available

Rembrandt — Susanna and the Elders

Van De Wetering, Ernst

Pages: 325 –342

[In some cases the history of the production of a painting by Rembrandt can be followed so closely that his artistic deliber ations can be seen as it were. This is all the more the case in the Berlin Susanna and the Elders, since there are strong indications that Rembrandt worked on this painting...
Available

Pupil of Rembrandt with intervention by Rembrandt — The toilet of Bathsheba (free variant after V 1)

Van De Wetering, Ernst

Pages: 343 –354

[Gerson first raised questions over the authenticity of this painting in 1968,1 since when various opinions have been voiced in the Rembrandt literature as to whether, and if so, to what extent, Rembrandt was involved in the production of the New York Toilet of Bathsheba.2]
Available

Rembrandt — Christ and the Woman Taken in Adultery

Van De Wetering, Ernst

Pages: 355 –370

[When Rembrandt’s Christ and the woman taken in adultery appeared on the art market in England in 1807, a discussion concerning its quality (recorded in the diary of J. Farington) ensued among connoisseurs. From Farington’s notes it appears that some of his contemp oraries even doubted the...
Available

Rembrandt – The Holy Family

Van De Wetering, Ernst

Pages: 371 –378

[The St Petersburg Holy Family was painted in a transitional phase of the master’s career leading up to what is usual ly referred to as Rembrandt’s late style. Since this is one of those paintings whose authenticity is not in question, the present text will deal primarily with stylistic and...
Available

Pupil of Rembrandt — The Holy Family at night

Van De Wetering, Ernst

Pages: 379 –388

[Opinion over the authorship of this painting was long divided after Hamann rejected the attribution to Rembrandt in 1948 and suggested Nicolaes Maes as its possible maker.1 Since Bauch2 and Gerson3 in 1966 and 1968, respectively, followed Hamann and omitted the Holy Family at night from their...

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