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Intellectuals and Fascism in Interwar Romania

Part of the Modernity, Memory and Identity in South-East Europe Book Series

DOI: 10.1007/978-3-030-20165-4

ISBN: 978-3-030-20164-7

Publisher: Springer International Publishing - Springer Journals

Aug 24, 2019

1 - 9 of 9 Chapters

LitStream

Chapter 1Introduction

Bejan, Cristina A.

Pages: 1 –24

[Bejan introduces the ethnically and religiously diverse, politically varied core group of the Young Generation and presents this book’s place within the existing literature. This chapter outlines some notable cases of intellectuals flirting with fascism and explains how this case of Romanian...
LitStream

Chapter 2Nae Ionescu, the Young Generation, ‘The Spiritual Itinerary’ and Education Abroad, 1927–1932

Bejan, Cristina A.

Pages: 25 –57

[This chapter is devoted to the experiences of the key Criterionists in the 1920s and early 1930s. Bejan starts with a portrait of the most important intellectual influence on the Young Generation, Nae Ionescu. The chapter then introduces the most significant members of the Young Generation as...
LitStream

Chapter 3The Criterion Association of Arts, Literature and Philosophy: Beginnings and Birth in Bucharest, 1932

Bejan, Cristina A.

Pages: 59 –84

[Bejan examines the immediate precedent factors to the creation of the Criterion Association: the social atmosphere in Bucharest (both positive and negative sides, and the friend/enemy dichotomy representative of many friendships between Criterionists), previous cultural groups that held...
LitStream

Chapter 4The Criterion Association’s Activity of 1932: ‘Idols’ Symposia, Politics, Culture

Bejan, Cristina A.

Pages: 85 –132

[This chapter explores Criterion’s first season of events. The Criterion Association was devoted to covering relevant cultural, political and intellectual topics of the day, exposing all points of view and reaching far beyond the limits of the elite circle of the Young Generation. The symposia...
LitStream

Chapter 5Criterion Activity of 1933–1935: Politics, Exhibition, Symposia, Music and the Publication

Bejan, Cristina A.

Pages: 133 –176

[Bejan explores the extent of the association’s further cultural and intellectual activities, as well as the creation of the publication bearing the same name. In January 1933, Criterion scheduled a series entitled ‘Trends.’ Due to the Griviţa riots, Criterion was not able to resume public...
LitStream

Chapter 6The Dissolution of the Criterion Association, 1934–1935: The Credinţa Scandal, Male Friendship, Sexuality and Freedom of the Press

Bejan, Cristina A.

Pages: 177 –209

[Bejan offers a much-needed account of the disintegration and termination of the Criterion Association and publication. The popular explanation for Criterion’s end is the fermentation of extremist political allegiances. However, there is an additional explanation, which is difficult to find in...
LitStream

Chapter 7Rhinocerization: Political Activity and Allegiances of the Young Generation, 1935–1941

Bejan, Cristina A.

Pages: 211 –252

[This chapter is about the moment of political conversion for certain Criterionists. Bejan examines four members of Criterion who sympathized with the Iron Guard (Eliade, Cioran, Noica, Sadova) and three who resisted (Comarnescu, Sebastian, Ionesco). The investigation of Sadova exposes how the...
LitStream

Chapter 8The Fate of the Young Generation and the Legacy of Criterion

Bejan, Cristina A.

Pages: 253 –276

[In this chapter, Bejan traces the fates of the members of the Young Generation after WWII and the installation of communism in Romania. After examining those who escaped and had successful careers in exile (Eliade, Cioran and Ionesco), the chapter uncovers the diverse destinies of those left...
LitStream

Chapter 9Conclusion

Bejan, Cristina A.

Pages: 277 –279

[The conclusion provides an overview of the book and demonstrates how political allegiances arose within the Criterion space and contributed to its demise. Bejan returns to Benda’s 1927 warning and reasserts that this book has attempted an objective analysis of the figures involved. The question...

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