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Psychoacoustic Music Sound Field Synthesis

Part of the Current Research in Systematic Musicology Book Series (volume 7)

DOI: 10.1007/978-3-030-23033-3

ISBN: 978-3-030-23032-6

Publisher: Springer International Publishing - Springer Journals

Aug 7, 2019

1 - 9 of 9 Chapters

LitStream

Chapter 1Introduction

Ziemer, Tim

Pages: 1 –8

[This introduction chapter gives an overview about the book at hand, which deals with the perception of spaciousness in music, culminating in the development of a novel psychoacoustic sound field synthesis approach for a natural, spatial music listening experience. After some general remarks on...
LitStream

Chapter 2Spatial Concepts of Music

Ziemer, Tim

Pages: 9 –43

[Music is spatial in many ways. Musical concepts and music perception are described by spatial terms in many cultures. This spatial thinking is reflected in music from spatial compositions to stereophonic recording and mixing techniques. Consequently, traditional music theories as well as modern...
LitStream

Chapter 3Biology of the Auditory System

Ziemer, Tim

Pages: 45 –64

[The auditory system detects pressure fluctuations that propagate as waves. It can be considered as a successor of the lateral line system, which enables fish and some amphibians to detect particle accelerations. These indicate the location and swimming direction of near objects. The auditory...
LitStream

Chapter 4Psychoacoustics

Ziemer, Tim

Pages: 65 –110

[Auditory perception is the mental representation of the acoustical outside world. Psychoacoustics describes characteristics of auditory perception and relates them to the physics of the sound field. This chapter discusses psychoacoustical foundations that play a role in spatial audio. For...
LitStream

Chapter 5Spatial Sound of Musical Instruments

Ziemer, Tim

Pages: 111 –144

[Musical instruments create a spatial sound impression. This chapter provides an introduction to the acoustics of sound propagation from musical instruments. An overview of microphone array techniques to measure the sound radiation characteristics from the near and the far field is given. The...
LitStream

Chapter 6Spatial Acoustics

Ziemer, Tim

Pages: 145 –170

[Appropriate room acoustics are a necessity for music performance. Good room acoustics support the direct sound of musical instruments and ease ensemble playing. Minimal geometric and architectural requirements are well-established. Music experts who are familiar with multiple concert halls...
LitStream

Chapter 7Conventional Stereophonic Sound

Ziemer, Tim

Pages: 171 –202

[Conventional spatial audio systems allow audio engineers and music producers to control the signal of single loudspeakers. Many stereo recording and mixing techniques established. These create loudspeaker signals that evoke a desired spatial impression for the listener to some degree....
LitStream

Chapter 8Wave Field Synthesis

Ziemer, Tim

Pages: 203 –243

[Sound field synthesis methods, like wave field synthesis and ambisonics, aim at synthesizing a desired sound field within a listening area. The idea is that control over the sound field implies control over the spatial sound impressions of listeners. Impressions may include the perceived...
LitStream

Chapter 9Psychoacoustic Sound Field Synthesis

Ziemer, Tim

Pages: 245 –281

[Sound field synthesis approaches aim at creating a desired sound field. Conventionally, these approaches are physically-motivated. Acoustical properties define the desired sound field. A perceptual evaluations of the listening experience follows the technical implementation. Psychoacoustic sound...

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