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Daniele Barbaro and the University of Padova

Part of the Trends in the History of Science Book Series

Editors: Monteleone, Cosimo; Williams, Kim

DOI: 10.1007/978-3-031-29483-9

ISBN: 978-3-031-29482-2

Publisher: Springer Nature Switzerland - Springer Journals

May 31, 2023

1 - 9 of 9 Chapters

LitStream

Chapter 1Daniele Barbaro and the ‘Philosophy’ of Perspective

Monteleone, Cosimo

Pages: 1 –19

[Daniele Barbaro’s scientific thought was formed at the University of Padua, a place where studies dedicated to Euclid multiplied thanks to the original manuscripts in Greek, bequeathed to the Serenissima Republic of Venice by Cardinal Bessarione. Thus, in Padua, geometry and mathematics...
LitStream

Chapter 2Daniele Barbaro and the Science of Mathematics

Williams, Kim

Pages: 21 –38

[Daniele Barbaro is an interesting figure not only because he was working at a time which there was an ongoing debate that led to precisely a revolution in the sciences, but also because he was also formed in the very hotbed of the debate, knew its protagonists personally, and was even called...
LitStream

Chapter 3Daniele Barbaro and Mathematical Instruments

Camerota, Filippo

Pages: 39 –64

[Part IX of La practica della perspectiva was planned as an attentive examination of the instruments for perspective drawing, a topic which comprised the theoretical-practical framework as well as Barbaro’s personal interest in mathematical instruments and, more generally, in mechanical...
LitStream

Chapter 4Daniele Barbaro and the Foundation of the Botanical Garden for the University of Padua

Zaggia, Stefano

Pages: 65 –81

[When in the Renaissance the Venetian authorities decided to establish the Botanical Garden at the University of Padua in order to carry out experimental studies directly on plants, they entrusted Daniele Barbaro with the role of administrative supervisor. This essay, by comparing the Garden as...
LitStream

Chapter 5From Theory to Practice: Daniele Barbaro’s Investigations on Timekeeping and the Villa in Maser

Guarneri, Cristiano

Pages: 83 –108

[Following the prescriptions of the ancient authors such as Palladius and Varro, Daniele Barbaro planned some device for timekeeping in the process of remodelling the family villa in Maser. The two large square surfaces on the villa’s two lateral towers, obtained at the expense of the harmony and...
LitStream

Chapter 6Non-Uniform Polyhedra Described by Daniele Barbaro

Viana, Vera

Pages: 109 –137

[In La Terza Parte of the treatise La pratica della perspettiva, published in 1568, Daniele Barbaro describes 39 solid bodies between Chapters I and XXXIV through edge unfolding, orthographic projections and/or perspective drawings, some of these in positions that are not the easiest to draw....
LitStream

Chapter 7Perspettiva ridotta a perfezione: Glimpses of Daniele Barbaro’s Perspective Theory

De Rosa, Agostino

Pages: 139 –162

[This contribution is intended to identify some textual elements, apparently secondary in Daniele Barbaro’s treatise on perspective, which either foreshadow unprecedented developments in the discipline of representation or have constituted complex critical nodes in the field of perspective. The...
LitStream

Chapter 8Marginal Notes by Daniele Barbaro in the 1511 Edition of Vitruvius from the Pushkin State Museum of Fine Arts Collection: Attribution Process and Dating Method

Igoshina, Ekaterina; Anikyev, Ilya; Markova, Anna

Pages: 163 –190

[The article focuses on the copy of Fra Giocondo’s 1511 edition of Vitruvius’s Ten Books on Architecture housed in the Research Library of the Pushkin State Museum of Fine Arts in Moscow. This treatise includes numerous marginal notes from the sixteenth century, the content and typology of which...
LitStream

Chapter 9Paduan Aristotelianism and Daniele Barbaro’s Commentary on Vitruvius

Mitrović, Branko

Pages: 191 –213

[Daniele Barbaro’s 1556 commentary on Vitruvius (second edition 1567) is generally regarded as the highest achievement of Renaissance efforts to understand and interpret the work of the Roman architectural theorist. Because of Andrea Palladio’s participation in its writing, architectural...

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