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Sound - Perception - Performance

Part of the Current Research in Systematic Musicology Book Series (volume 1)

Editors: Bader, Rolf

DOI: 10.1007/978-3-319-00107-4

ISBN: 978-3-319-00106-7

Publisher: Springer International Publishing - Springer Journals

May 24, 2013

1 - 10 of 16 Chapters

LitStream

Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception

Bader, Rolf

Pages: 3 –41

[Nonlinearities and Self-organization are basic principles of many aspects of music production and perception, tone production of musical instruments, perception of timbre, movement, or tonality. This self-organizing nature is responsible for many musical instruments to play harmonic overtone...
LitStream

A Free Energy Formulation of Music Generation and Perception: Helmholtz Revisited

Friston, Karl J.; Friston, Dominic A.

Pages: 43 –69

[This chapter pursues the notion that, quintessentially, music enables the prediction of the unpredictable. Our focus is on the perception of music using ideas from theoretical biology and neuroscience to explain the nature of musical stimuli and their perceptual synthesis. In brief, we will...
LitStream

Change and Continuity in Sound Analysis: A Review of Concepts in Regard to Musical Acoustics, Music Perception, and Transcription

Schneider, Albrecht

Pages: 71 –111

[Over the past decades, a broad range of software and hardware tools has become available suited to perform sound analysis both in the time domain and in the frequency. This chapter reviews a number of former and current concepts in regard to frequency measurement, melographic techniques and...
LitStream

Quantal Elements in Musical Experience

Godøy, Rolf Inge

Pages: 113 –128

[The aim of this paper is to present a model for understanding unit formation, what we prefer to call chunking, at short-term timescales in musical experience, typically in the duration range of approximately 0,5 to 5 seconds. The idea is that at these short-term timescales, chunks of sound and...
LitStream

Strong Emotions in Music: Are they an Evolutionary Adaptation?

Altenmüller, Eckart; Kopiez, Reinhard; Grewe, Oliver

Pages: 131 –156
LitStream

Music and Action

Koelsch, Stefan; Maidhof, Clemens

Pages: 157 –180

[Music performance includes planning, initiation, execution, monitoring, and correction of actions. This makes music performance a valuable tool for the study of human action and its neural correlates. This chapter reports action-related processes evoked by the perception of actions, and...
LitStream

Music for the Brain Across Life

Särkämö, Teppo; Tervaniemi, Mari; Huotilainen, Minna

Pages: 181 –194

[Music is highly a versatile and multifaceted form of art and communication that has been an essential part of human societies since their early days. During the past 20 years, neuroimaging studies have shown that music is a powerful stimulant also for the brain, engaging not just the auditory...
LitStream

The Perception of Melodies: Some Thoughts on Listening Style, Relational Thinking, and Musical Structure

Neuhaus, Christiane

Pages: 195 –215

[To determine the nature of a melody at least four features are required: melodic contour, interval size, the order of form parts, as well as the underlying harmonic framework. However most definitions of melody do not adhere to structural details but also consider the perceptual side. Deliège...
LitStream

Virtual Room Acoustics

Vorländer, Michael; Pelzer, Sönke; Wefers, Frank

Pages: 219 –242

[The technology for creating an Acoustic Virtual Reality for wide variety of applications has been developed in the last decade. An important requirement of Virtual Reality is the multimodal approach which includes vision, sound, tactile and haptic stimuli. The process of creating a physical...
LitStream

The Wave Field Synthesis Lab at the HAW Hamburg

Fohl, Wolfgang

Pages: 243 –255

[This paper presents the wave field synthesis (WFS) lab at the HAW Hamburg. It gives a short summary of the theoretical background, practical limitations and typical application scenarios. The hardware and software architecture of the system is outlined with particular emphasis on the open sound...

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