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Studies in Musical Acoustics and Psychoacoustics

Part of the Current Research in Systematic Musicology Book Series (volume 4)

Editors: Schneider, Albrecht

DOI: 10.1007/978-3-319-47292-8

ISBN: 978-3-319-47291-1

Publisher: Springer International Publishing - Springer Journals

Dec 27, 2016

1 - 10 of 13 Chapters

LitStream

Chapter 1Japanese Flutes and Their Musical Acoustic Peculiarities

Yoshikawa, Shigeru

Pages: 1 –47

[Representative Japanese bamboo flutes, the shakuhachi, nohkan, and shinobue are investigated from musical acoustic viewpoint. The end-blown longitudinal flute, shakuhachi has only five tone holes, and several cross fingerings causes pitch sharpening (called intonation anomaly) as well as...
LitStream

Chapter 2Acoustics of the Qin

Waltham, Chris; Coaldrake, Kimi; Koster, Evert; Lan, Yang

Pages: 49 –74

[The qin (guqin, chi’in) is a seven-string zither with long roots that run deep into Chinese history. The instrument occupies a central place in Chinese musical culture, one that may be compared to that of the violin in Western music; both instruments are deemed to have attained some level of...
LitStream

Chapter 3Tone Production of the Wurlitzer and Rhodes E-Pianos

Pfeifle, Florian; Münster, Malte

Pages: 75 –107

[Two idiomatic examples of electro-acoustical keyboards played since the 60s to the present day are the Wurlitzer E-Piano and the Rhodes E-Piano. They are used in such diverse musical genres as Jazz, Funk, Fusion or Pop as well as in modern Electronic and Dance music. Their unique sound, that is...
LitStream

Chapter 4Feedback of Different Room Geometries on the Sound Generation and Sound Radiation of an Organ Pipe

Fischer, Jost Leonhardt

Pages: 109 –142

[Feedback effects of different room geometries on the sound generation and sound radiation of an organ pipe is discussed. Motivation of the present work is that in real organs many of the organ pipes cannot radiate sound without disturbance. Most of the organ pipes are mounted, concealed from the...
LitStream

Chapter 5Acoustical Modeling of Mutes for Brass Instruments

Yoshikawa, Shigeru; Nobara, Yu

Pages: 143 –186

[Mutes for brass instruments are placed in the bell and change the instrument resonance characteristics. Since the pitch, loudness, and timbre are then affected, brass mutes are important for musical expression. Our main focus is on the acoustical modeling of the straight mute for the French horn...
LitStream

Chapter 6Experimental Approaches to the Study of Damping in Musical Instruments

Kob, Malte

Pages: 187 –200

[Damping plays a central role in the production of musical sounds. Whenever sound sources oscillate, resonators are active or structures radiate sound to the environment, damping is one of the most important parameters in the transmission chain of musical instruments. This contribution shall...
LitStream

Chapter 7Comparison of Vocal and Violin Vibrato with Relationship to the Source/Filter Model

Beauchamp, James W.

Pages: 201 –221

[Although the source/filter model is often mentioned in the literature of acoustics and signal processing (e.g., Gold and Morgan, Speech and Audio Signal Processing, Wiley), it has seldom been implemented for musical instrument sounds. For operatic style male voices with sufficient vibrato depth,...
LitStream

Chapter 8Vowel Quality in Violin Sounds—A Timbre Analysis of Italian Masterpieces

Mores, Robert

Pages: 223 –245

[This chapter proposes the use of vowel qualityVowel quality (VQ) as a perception-based timbre descriptor for violin sounds. When asked to imitate a pitched sound with their own voices, listeners are likely to match an appropriate vowel to what they hear. The applied vowel represents a rough...
LitStream

Chapter 9Sound, Pitches and Tuning of a Historic Carillon

Schneider, Albrecht; Leman, Marc

Pages: 247 –298

[The City of Bruges in Flanders owns one of the finest carillons in Europe. Of its 47 bells, 26 are historic specimens, cast by Joris Dumery (Georgius Du Mery) between 1742 and 1748. In 2010/11, the carillon underwent restoration including retuning as necessary. The present article reports the...
LitStream

Chapter 10Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis

Ziemer, Tim

Pages: 299 –340

[Source width of musical instruments, measured in degrees, is a matter of source extent and the distance of the observer. In contrast to that, perceived source width is a matter of psychological organization of sound. It is influenced by the sound radiation characteristics of the source and by...

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