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A Computational Approach to Digital Chinese Painting and Calligraphy

Part of the Advanced Topics in Science and Technology in China Book Series

DOI: 10.1007/978-3-540-88148-3

ISBN: 978-3-540-88147-6

Publisher: Springer Berlin Heidelberg - Springer Journals

Jan 1, 2009

1 - 10 of 12 Chapters

LitStream

Computer Science and Fine Arts

Pages: 3 –20

[“Why use computers for arts?” “What are the advantages of digital arts?” These questions seem to assume computers are already applicable to arts. But is the computer by its very nature a kind of art creation tool? Only if this answer is affirmative can we go on to discuss what sorts of artistic...
LitStream

Computer Science in Paintings or Drawings

Pages: 23 –45

[What is digital painting? Wikipedia offers an easy definition [Wik07]: “Digital painting is an emerging art form in which traditional painting techniques such as watercolor, oils, impasto, etc. are applied using digital tools by means of a computer, a digitizing tablet and stylus, and software.” ]
LitStream

Introduction to Interactive Digital Chinese Painting and Calligraphy

Pages: 51 –57

[In this part of the book, we propose a novel algorithmic framework for an advanced virtual brush to be used in interactive digital painting. The framework comprises the following components: a geometric model of the brush using a hierarchical representation that leads to substantial savings in...
LitStream

Basic Algorithmic Framework of a Virtual Hairy Paintbrush System

Pages: 59 –101

[We propose a novel “e-brush” for calligraphy and painting, which meets all the criteria for a good e-brush. We use only four attributes to capture the essential features of the brush, and a suitably powerful modeling metaphor for its behavior. The e-brush’s geometry, dynamic motions and pigment...
LitStream

Performance Enhanced Virtual Hairy Paintbrush System

Pages: 103 –127

[This chapter presents a new approach to modeling a 3D physical paintbrush, based on which an interactive painting system has been developed. Compared with existent brush-based painting systems, our new system can accurately and stably simulate the complex painting functionality of a running...
LitStream

Pigment Component of an Advanced Virtual Hairy Paintbrush System

Pages: 129 –157

[In this chapter we propose a novel generic pigment model suitable for digital painting in a wide range of genres including traditional Chinese painting and water-based painting. The model embodies a simulation of the pigment-water solution and its interaction with the brush and the paper at the...
LitStream

Rendering Component of an Advanced Virtual Hairy Paintbrush System

Pages: 159 –197

[In this chapter we introduce a new method for fast and high-quality rendering of hair and its associated data structure support for hair modeling. The method is capable of rendering sophisticated hair models in real time with high quality, both of which are key properties for the satisfactory...
LitStream

Principles of Automatic Generation of Artistic Chinese Calligraphy

Pages: 203 –225

[In this chapter we will introduce a novel intelligent system which can automatically generate new Chinese calligraphic artwork to meet visually aesthetic requirements. The system first extracts the hierarchical parametric representations of Chinese characters from input images of existing...
LitStream

Two Perspectives on Automatic Generation of Artistic Chinese Calligraphy

Pages: 227 –251

[In this chapter we offer two perspectives on the understanding of the system design and development practices we have gone through during the construction of our prototype system for automatic generation of artistic Chinese calligraphy: from a system engineering perspective (Sect. 9.2–Sect. 9.6)...
LitStream

A Preliminary Attempt at Evaluating the Beauty of Chinese Calligraphy

Pages: 253 –286

[This chapter presents our preliminary efforts at automatic appreciation of the aesthetics of Chinese traditional calligraphy using artificial intelligence. This work is motivated by our wish to equip a computer with the ability to judge the aesthetic quality of calligraphic characters and then...

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