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Roads to Music Sociology

Part of the Musik und Gesellschaft Book Series

Editors: Smudits, Alfred

DOI: 10.1007/978-3-658-22279-6

ISBN: 978-3-658-22278-9

Publisher: Springer Fachmedien Wiesbaden - Springer Journals

Aug 29, 2018

1 - 9 of 9 Chapters

LitStream

Chapter 1Introduction

Smudits, Alfred

Pages: 1 –6

[ This anthology addresses interested readers not only from music sociology but also from the broader scholarly field of music research—and for good reasons: The term ‘music sociology’ is indeed ambiguous since it refers to a subfield of sociology, though it is often understood as a subfield of...
LitStream

Chapter 2Music Sociology After Mass Modernity

Smudits, Alfred

Pages: 7 –21

[ Alfred Smudits starts with a discussion of the terms ‘modernity’ and ‘modernization’, identifying several dimensions of modernization, such as rationalisation, individualisation, differentiation, domestication as well as several temporal stages of modernity. Smudits believes that one of the...
LitStream

Chapter 3Musicology, Sociology and Digitisation

Martin, Peter J.

Pages: 23 –39

[ Peter J. Martin reflects on developments in music sociology during the period in which two other relevant specialisms—the ‘new’ musicology and popular music studies—emerged and analyses both specialisms with reference, where appropriate, to Kurt Blaukopf’s works. With respect to the ‘new’...
LitStream

Chapter 4Objects, Belief, and the Sociologist: The Sociology of Art as a Work-To-Be-Done

Hennion, Antoine

Pages: 41 –60

[Creating, playing, listening are not ways of coping with an external object. Music only exists where it takes place: in the musical experience itself. In view of this, writing on music less consists in reporting on a performance than in making it exist differently, by prolongating, connecting,...
LitStream

Chapter 5Exploring Gender in Music … to Better Grasp Musical Work

Buscatto, Marie

Pages: 61 –77

[ Buscatto starts with the argument that, in the last twenty years, international scholars have explored ways contemporary female musicians, as compared to their male colleagues, find it more difficult to get access, to remain, and to be recognized as legitimate professionals in various musical...
LitStream

Chapter 6Musical Cosmopolitanism, Bodies and Aesthetic Cultures

Regev, Motti

Pages: 79 –94

[Amid the growing sociological interest in cosmopolitanism, Motti Regev seeks to outline in his contribution the major aspects pertaining to the role of music—and pop-rock music in particular—in the consolidation and materialization of cosmopolitanism. Hence Regev explores several dimensions...
LitStream

Chapter 7Musical Language

Becker, Howard S.

Pages: 95 –109

[ Musical activity takes place through sounds that are largely non-verbal. Becker argues that if we want to understand how the collective activity that constitutes music-making takes place we have to understand that very language. (This explains why so many sociologists of music have been or...
LitStream

Chapter 8The Unsung Work of Music Sociology?

DeNora, Tia

Pages: 111 –137

[ In her contribution, Tia DeNora suggests investigating how the study of music as a part of what sociology does can nourish sociology as a whole. Sociological research on music has already enriched our understanding of how to think about values, relativism and strong attachments. It has also...
LitStream

Chapter 9Music Sociology in the GDR: Under Conditions of Political Dictatorship, Despite of Political Dictatorship

Kaden, Christian

Pages: 139 –158

[Christian Kaden, who sadly passed away shortly after the Vienna conference, refers to his personal experience as researcher under a dictatorship, the former German Democratic Republic. Often ignored, however, is the fact that scientific activities in such a regime produced remarkable results,...

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