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Issues of Contemporary Art and Aesthetics in Chinese Context

Part of the Chinese Contemporary Art Series Book Series

DOI: 10.1007/978-3-662-46510-3

ISBN: 978-3-662-46509-7

Publisher: Springer Berlin Heidelberg - Springer Journals

Aug 18, 2015

1 - 10 of 13 Chapters

LitStream

Chapter 1Introduction

Man, Eva Kit Wah

Pages: 1 –4

[China, with its long-standing civilization and spectacular growth over the past few decades, has generated intense global interest in its art. Reports of Chinese artworks breaking sales records have become common, and this booming interest has sparked discussions on how China’s transformations...
LitStream

Chapter 2What Is an Author? A Comparative Study of Søren Kierkegaard and Liu Xie on the Meanings of Writing

Man, Eva Kit Wah

Pages: 5 –14

[This study analyzes Kierkegaard’s theory of authorship from a comparative perspective, by using Liu Xie’s 劉勰 Chinese literary criticism in Wenxin Diaolong《文心雕龍》as a comparative model.]
LitStream

Chapter 3Rethinking Art and Values: A Comparative Revelation of the Origin of Aesthetic Experience (from the Neo-Confucian Perspectives)

Man, Eva Kit Wah

Pages: 15 –21

[This chapter will start from the main dimensions of aesthetic experience in the history of Western aesthetics as concluded by Richard Shusterman. In terms of our experiential practices in the fragmentation of modern life and the disjointed sensationalism of the media, we will agree with...
LitStream

Chapter 4Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object

Man, Eva Kit Wah

Pages: 23 –28

[This chapter presents a historical account and philosophical analysis of the development of philosophical aesthetics in China in its Marxist regime, and the discussion focus will be on the relation of subject and object in aesthetic experience.]
LitStream

Chapter 5Some Reflections on Confucian Aesthetics and Its Feminist Modalities

Man, Eva Kit Wah

Pages: 29 –35

[This chapter starts from the reflection and analysis of the origin of “beauty” in the Confucian aesthetics. It first traces its origin in the suggestion of the Confucian moral mind. The emergence process involved is regarded as a very different one from that of the Western mainstream, in which...
LitStream

Chapter 6Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting

Man, Eva Kit Wah

Pages: 37 –45

[This chapter starts from some representing discussions on visual art related to visuality, creative process, and aesthetic experience in the Chinese classical arena (Shih Tao). The philosophical implications and the aesthetical references in these discussions are analyzed and studied, with...
LitStream

Chapter 7Experimental Painting and Painting Theories in Colonial Hong Kong (1940–1980): Reflections on Cultural Identity

Man, Eva Kit Wah

Pages: 47 –55

[The previous chapter mentions the New Ink Movement in Hong Kong in the 1960s. This chapter provides a description of the fabulous history of painting and painting theories in the rapidly developing Hong Kong from 1940 to 1980 by highlighting the work and aesthetics of several representative...
LitStream

Chapter 8The Notion of “Orientalism” in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-Fun

Man, Eva Kit Wah

Pages: 57 –64

[This chapter first outlines the cultural background and situation of Chinese artists in the colonial Hong Kong in the 1960s. Their frustrated claims for development and evolution of Chinese painting and aesthetics were expressed and concluded by their representative and leader, Lui, who...
LitStream

Chapter 9Some Reflections on “Feminist Aesthetics”: Private/Public? Personal/Political? Gender/PostColonial?—the Case of Women Art in PostColonial Hong Kong in 1990s

Man, Eva Kit Wah

Pages: 65 –70

[This chapter first lays down the background of the development of Western Feminist Aesthetics and its main agenda. It then presents a cross-cultural examination and reflection of the agenda on the women art in postcolonial Hong Kong. Particular areas of attention include: personal history and...
LitStream

Chapter 10A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities

Man, Eva Kit Wah

Pages: 71 –78

[This chapter demonstrates the ways that the official museum of art in Hong Kong realizes its strategies and influences of identity formation by utilizing its resources and representative position in both the colonial and post-colonial spaces. It argues that there are ever changing “internal”...

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