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Embodied Philosophy in Dance

Part of the Performance Philosophy Book Series

DOI: 10.1057/978-1-137-60186-5

ISBN: 978-1-137-60185-8

Publisher: Palgrave Macmillan UK - Springer Journals

Sep 19, 2016

1 - 10 of 23 Chapters

LitStream

Dance and Philosophy: Phrasing an Entrance

Katan, Einav

Pages: 3 –8

[Katan propounds to comprehend the art of dancing as philosophical. The chapter opens with a description from the dance Mamottot, with choreography by Ohad Naharin for the Batsheva Dance Company. Focusing on hermeneutical questions, the chapter discusses philosophical traditions that consider the...
LitStream

Dance as Embodied Philosophy

Katan, Einav

Pages: 9 –21

[Katan suggests a comprehensive conception of dancing as a means of expression. The chapter discusses existing arguments in pragmatism, enactivism, and aesthetic theories in order to integrate them into a broader understanding of dance as a physical medium of thinking. Following Susanne K....
LitStream

Habitus, Embodied Knowledge, and Physical Intelligence

Katan, Einav

Pages: 23 –29

[Katan suggests that Gaga is a somatic practice for perceptual inquires. In “Habitus, Embodied Knowledge, and Physical Intelligence,” Katan advances the consideration of physical practices as platforms for intelligent performance. The chapter draws attention to the social knowledge that is...
LitStream

Embodied Reflections

Katan, Einav

Pages: 31 –39

[Katan offers a necessary summary concerning the integration between the embodiment of knowledge and the capacity to reform it. The chapter analyzes body-mind correlation as an inner integration between abstract knowledge and concrete understanding. Following pragmatism, the chapter parallels...
LitStream

“Float!”

Katan, Einav

Pages: 43 –48

[The first chapter of “The Sensual Emphasis of Gaga” follows the instruction to float, as a case study for sensual researches in the practice. The chapter analyzes the instruction from its experimental point of view and reveals the implicit knowledge of the dancers, who move accordingly. The...
LitStream

Enacting Perception

Katan, Einav

Pages: 49 –56

[In “Enacting Perceptions” Katan propounds dancing as a perceptual process. The chapter provides terminological clarity and distinguishes between sensations as informative sources and perceptions as interpretative. Katan inquires into the relationship between the intentionality of dancers and...
LitStream

Extending Perception

Katan, Einav

Pages: 57 –64

[Katan puts forward the perceptual process in the movement research of Gaga as continuous and differentiates it from other movements and physical perceptions in everyday life. The chapter analyzes the movement research as its own purpose, and parallels it with hermeneutical-philosophical inquiry....
LitStream

Dancing Metaphors

Katan, Einav

Pages: 65 –76

[Katan offers a comprehensive perspective on movement inquires in Gaga as metaphoric implications. The chapter follows the case study of the instruction to float, analyzing its metaphoric impact on the perceptual process of movement. Katan suggests seeing the embodied implication of the movement...
LitStream

The Phenomenological Method of Gaga

Katan, Einav

Pages: 77 –83

[Following the sensual emphasis in Gaga and its analysis, Katan defines Gaga as phenomenological method. The chapter underlines the tuning of intentionality with somatic attention as a knowledgeable capacity that synchronizes body and mind. The chapter stresses the analytic knowledge of the...
LitStream

“Connect Effort into Pleasure!”

Katan, Einav

Pages: 87 –92

[The first chapter of “The Mental Emphasis of Gaga” follows the implication of the instruction to connect effort into pleasure. In order to draw out the implicit wisdom within its procedure, Katan explores the instruction from an experimental point of view of a dancer. The chapter deals with the...

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