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A Critique of Judgment in Film and Television

Editors: Panse, Silke; Rothermel, Dennis

DOI: 10.1057/9781137014184

ISBN: 978-1-349-43679-8

Publisher: Palgrave Macmillan UK - Springer Journals

Nov 11, 2015

1 - 10 of 14 Chapters

Available

Judgment between Ethics and Aesthetics: An Introduction

Panse, Silke; Rothermel, Dennis

Pages: 1 –30

[This collection responds to a significant increase of judgment and judgmentalism in contemporary television, film, and social media. Especially on television, works whose sole purpose is to generate judgment have multiplied. Judgment pervades contemporary television. The comment sections on...
Available

The Judging Spectator in the Image

Panse, Silke

Pages: 33 –70

[The proclaiming of judgment and, even more so, the experience of being judged has become one of the main dramatic devices in contemporary television. Television is permeated with judgment: of performance in The X Factor (2004–) and Idol (2001–), of behavior in Paris Hilton’s New Best Friend...
Available

The Tones of Judgment in Local Evening News

Rothermel, Dennis

Pages: 71 –89

[A young man, a television station producer, walks into the station’s broadcast control room to give a pitch for a new TV show to his boss, the station manager, who rejects the idea curtly. The control room is dark and cluttered. Shadows abound. The sole bright sources of light come from the...
Available

“I’m passionate, Lord Sugar”: Young Entrepreneurs, Critical Judgment, and Emotional Labor in Young Apprentice

Biressi, Anita; Nunn, Heather

Pages: 90 –107

[This chapter is about the performance of passion for corporate success on popular television. It draws on the politics of “emotional labor” (Hochschild 1983) and work-related processes of “self-realization” (Rose 1999 [1989]) to critically consider the competitive television show Young...
Available

Amateur Biopolitics: Generalization of a Practice, Limits of a Concept

Brasil, André; Migliorin, Cezar

Pages: 111 –122

[In the current stage of capitalism, amateur images emerge as a paradigmatic format of production that reflects controversy about the subjective and affective practices of consumer–spectators who have also become producer– collaborators. This chapter discusses the biopolitical slant of this...
Available

Peirce’s Better Triad

Winston, Brian

Pages: 123 –141

[The shot, made on March 3, 1991 starting at 12.52 a.m. (and 13 seconds), is taken from just over nine minutes of footage. It is night and the images are, for the most part, unsteady. Initially, and periodically thereafter, frames are somewhat out-of-focus. Although filmed on a color video...
Available

A Judgment on Judgment: Milošević on Trial

Kear, Jon

Pages: 142 –163

[Michael Christoffersen’s award-winning film Milošević on Trial (2007), documents the prosecution of Slobodan Milošević at the International Court at The Hague for war crimes committed in the course of the conflicts in Bosnia, Croatia, and Kosovo.1 The highest-profile case of its kind since...
Available

Screen Truth

Colebrook, Claire

Pages: 167 –186

[In his recent book The Grand Design, Stephen Hawking (2010) declares that philosophy is dead and that its task of ascertaining the truth of the world has been given over to physics. He then goes on to give a brief history of philosophers’ accounts of the cosmos; neither Aristotle nor Descartes...
Available

Judging Cinema: Peter Greenaway’s Visual J’accuse

Singer, Alan

Pages: 187 –201

[For Kant, inasmuch as he epitomizes the thought of Enlightenment, the stakes of critical judgment are knowledge. Strictly speaking, Kantian critical judgment is a bid for knowledge of the limits of our human capacities in order that we may better exercise them. The epistemic burden of critique...
Available

Cinematic Judgment and Universal Communicability: On Benjamin and Kant with Metz

Rushton, Richard

Pages: 202 –218

[What does Christian Metz mean when he writes, in The Imaginary Signifier, that “the spectator identifies with himself, with himself as a pure act of perception (as wakefulness, alertness): as the condition of possibility of the perceived and hence as a kind of transcendental subject, which comes...

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