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The perception of artworks rarely—if ever—results in the instantiation of a determinate meaning. Instead, when entering an art gallery, we often expect Semantic Instability (SeIns): the experience of perceptual and cognitive habits being challenged. By comparing the experience of an artistic...
The history of art attribution in painting demonstrates that connoisseurs compare faces and facial features in their efforts to ascribe paintings to regions, schools, workshops and specific artists. Connoisseurs do not generally reflect on their application of face recognition or its importance....
In this article we explore the practical use of medialness informed by perception studies as a representation and processing layer for describing a class of works of visual art. Our focus is towards the description of 2D objects in visual art, such as found in drawings, paintings, calligraphy,...
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