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AbstractIn the 1970s and early 1980s, Filipino American artist Carlos Villa developed a set of experimental methods and idioms—namely, abstraction, abject sensibility, and intense materiality—that would accompany his renewed interest in self-identity and community expression. While these...
AbstractIn the Clinton Hill neighbourhood of Brooklyn, New York, sits a nondescript eatery called The Market. The restaurant, like many small New York City restaurants, is unremarkable. Little evidence exists to capitalize on the reputation of its owner, famed performance artist Tehching Hsieh....
AbstractThis article uses personal family photographs to explore a framework of speculative looking. I begin by considering the category of Asian/American woman not as a knowable entity but as an analytic. I then consider family photographs and alternate modes of speculation to further consider...
AbstractThis article analyzes Candice Lin’s 2020 solo exhibition, Natural History: A Half-Eaten Portrait, an Unrecognizable Landscape, a Still Still Life, a show that reflects the artist’s ongoing enquiry into non-Western botanical knowledge and attempts to develop nontoxic death rituals by...
AbstractCritics have long pointed out that there was nothing “cold” about the Cold War—its wars extended as hot proxy wars impacting spaces outside of the Eastern and Western Blocs. Treating the Cold War as a metaphor, this article analyzes how interdisciplinary artist Hương Ngô mobilizes “sonic...
AbstractThis paper offers a close reading of interdisciplinary visual artist kate-hers rhee’s The Multiverse Portraits (2015–2016), a multimedia installation that incorporates photography and drawing in its speculative representation of rhee’s body across imagined parallel universes. I analyze...
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