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<p>Resumen:</p><p>Tanto Benito Pérez Galdós como Leopoldo Alas criticaban duramente en sus obras literarias las prácticas contemporáneas de la Iglesia Católica en España, lo que les granjeaba a su vez la repulsión de muchos clérigos y fieles devotos. Sin embargo, en sus respectivas novelas controvertidasâ<i>Gloria</i> (1878) y <i>La Regenta</i> (1884-85)âambos autores presentan ejemplos de una verdadera fe espiritual en algunos personajes, que se registra en las caras y ojos de las estatuas religiosas que llevan con mucha pompa los llamados devotos en Semana Santa. Existe la fuerte posibilidad de que ejerciera <i>Gloria</i> una gran influencia sobre <i>La Regenta</i> en el desarrollo de este tema.</p><p>Abstract:</p><p>Galdós and Alas, both strongly critical of, and criticized by, the Catholic Church in Spain during their lifetime, give powerful representations in their respective novelsâ<i>Gloria</i> (1878) and <i>La Regenta</i> (1884-85)âof a true faith in some characters, which is projected unto the faces and eyes of the statues paraded in the holy Week processions. There is a strong possibility that the earlier novel influenced the later one in the development of this topic.</p>
Anales Galdosianos – Anales Galdosianos
Published: Jan 28, 2015
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