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Desmond Guiness (1982)
Castletown, Co. Kildare
(1994)
Sir Thomas Hewett and the New Junta for Architecture
F. Meyer, Blanche Henrey (1979)
British Botanical and Horticultural Literature before 1800BioScience
He published his ideas under the name Lamindo Pritamio, Riflessioni sopra il Buon Gusto intorno le scienze e le Arti
Galilei', 220, doc. 26f.; Worsley, Heroic Age
Terry Friedman (1979)
Galilei's Greenhouse, 7
Georges Dulac (1999)
A Dictionary of British and Irish Travellers in Italy, 1701-1800, compiled from the Brinsley Ford Archives by John Ingamells, 1997, 31
Un contributo italiano alia formazione del neoclassicismo', L'Europa e I'arte italiana
D. Carey (2006)
Contesting diversity: Shaftesbury's reply to Locke
I. Jackson, J. Ingamells (1997)
A Dictionary of British and Irish Travellers in Italy, 1701-1800: Compiled from the Brinsley Ford ArchiveTaxon, 47
D. Carey (2006)
Locke, Shaftesbury, and Hutcheson: Contesting Diversity in the Enlightenment and Beyond
(1944)
Antonio Derizet e il concorso per la facciata di San Giovanni in Laterano
(1986)
For a summary, see The Commission for Building Fifty Neiv Churches. The Minute Books 1711
(1962)
Rome in 1733
(1995)
The Commissioner Models for the Fifty New Churches: Problems of Identity and Attribution
Michael Stewart (1987)
John Smith and the Molesworth CircleEighteenth-Century Ireland
(1954)
Front of Castle'. First published by Laurence Whistler, The Imagination of Sir John Vanbrugh and his Fellow Artists
A. Crinò (1958)
Fatti e figure del Seicento anglo-toscano : documenti inediti sui rapporti, diplomatici, culturali fra Toscana e InghilterraThe American Historical Review, 63
Finola O’Kane (2005)
Landscape Design in Eighteenth-Century Ireland: Mixing Foreign Trees with the Natives
K. Downes (1984)
The publication of Shaftesbury’s ‘Letter Concerning Design’Architectural History, 27
M. Restle (1979)
Studien zur frühbyzantinischen Architektur Kappadokiens
(1952)
On Galilei in England, see Ilaria Toesca
The Buildings of England, Cambridgeshire (Harmondsworth, 1954)
(1979)
thought that Galilei's greenhouse published by Bradley was the design for Cannons. A rough sketch for a greenhouse exists among Galilei's Florentine papers
L. Klein (1994)
Shaftesbury and the culture of politeness: From politics to cultural politics
Kent Archives Offices, U1590/C9/35). My sincere thanks to Sir Howard Colvin for the transcription of this letter given to me in 1972
(1961)
For a summary of the Lateran competition, see Vincenzo Golzio, 'La facciata di San Giovanni in Laterano e l'architettura del Settecento
P. Warren (1992)
The Dictionary of Art
G. Wright (2003)
The Molesworths and Arcadia: Italian Poetry and Whig Constructions of Liberty 1702–28Forum for Modern Language Studies, 39
Abhba (1859)
Sir Edward Lovett pearceNotes and Queries
206, doc. 18, wrongly took Lord Stanhope to be the Lord Chancellor mentioned in Hewett's letter. Thomas Parker, created Lord Macclesfield in 1716, was appointed Lord Chancellor on 12
The gentleman and gardeners kalendar, directing what is necessary to be done every mo kitchen-garden, fruit-garden, nursery ... green-house and flower garden. To which is added the design of a by
A. Newman (1969)
The Stanhopes of Chevening: A family biography
The overall length of Castletown as executed is c. 410 ft (125 m). The main block is 142 ft long (43.3 m)
(1989)
Uberlegungen zu Architektur und Ausstattung der Cappella Corsini', Varchitettura da Clemente XI a Benedetto XIV
Alessandro Tagliolini (1986)
Alessandro Galilei's project for a greenhouseStudies in The History of Gardens & Designed Landscapes, 6
(1979)
The first proofs of the engravings are in the Florentine Biblioteca Marucelliana (Stampe, p. 101, nn. 52 and 55; signed
New Junta
file 13; formerly at Lough Rynn, Ireland, Clement Collection, but present whereabouts unknown); transcribed by author in 1972. Nothing is known of Galilei's possible sojourn in Ireland in 1717
E. Murray (1959)
Giovanni Antonio Pellegrini at Kimbolton, 70
(1938)
Galilei's groundplan reconstruction resembles to some extent that of a Roman temple (third century) in the city centre, destroyed in the seventeenth century, but known through prints and drawings
As the traveller's notes of 1724 (see note 87) and 1727 (Thurley, 'Kimbleton', p. 68) were still referring to windows, these may have been closed up later
J. Hammond (1993)
A Tour through the Whole Island of Great Britain
T. Mccormick, Pierre Prey (1984)
John Soane, the making of an architectEighteenth-Century Studies, 18
Archivio di Stato, Carte Galilei, filza 21, fasc. 1, ff
Edward Lovett Pearce and the New Junta for Architecture
Craig has already drawn attention to this (see n
Stanhope accompanied the king to Hanover in July 1716; a few weeks later Galilei began to make his designs. The king returned to London
(2000)
La cultura architettonica', Storia dell'architettura italiana
C. Sicca (1990)
The Architecture of the Wall: Astylism in the architecture of Lord BurlingtonArchitectural History, 33
Dravid Raynor (1987)
Hutcheson’s Defence Against a Charge of PlagiarismEighteenth-Century Ireland
P. Jeffery (1996)
The City Churches of Sir Christopher Wren
(1975)
The Gascoigne Monument by Alessandro Galilei
A drawing of the entrance hall, destroyed by fire in 1936, was sold at Sotheby's on 17
E. McParland, David Davison (2001)
Public architecture in Ireland, 1680-1760
Archive of the Ministere des Affaires Etrangeres, Affaires etrangeres Rome, t. 735, f. 293; Kieven
H. Hager, S. Munshower (2002)
Light on the Eternal City: Observations and Discoveries in the Art and Architecture of Rome
Lettere e memorie
Giles Worsley (1995)
Classical Architecture in Britain: The Heroic Age
Country Houses Through Georgian Eyes
R. Litchfield, Eric Cochrane (1976)
Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand DukesJournal of Interdisciplinary History, 6
Leoni', misunderstands Galilei's position in London as a complete failure
Edward McParland has argued (oral communication) that the expression 'palace' could not refer to a country seat but only to plans for a royal palace
(1970)
Kimbolton', fig. 4; James Lees-Milne
It is mentioned in the inventory of Galilei's Florentine house made after his death in 1737
(1994)
Unbuilt Gibbs: a Fresh Look at his Designs for the 1711 Act Church Commissioners
Letters from the Right Honourable the late Earl of Shaftesbury
The reports of the jury members, in this case the painter Sebastiano Conca, preserved in the Biblioteca Corsiniana in Rome
(1997)
Paolo Falconieri e il suo modello di Palazzo Pitti del 1681', Pietro da Cortona: atti del convegno internazionale Roma-Firenze
K. Downes (1966)
English Baroque Architecture
R. Bucholz (1993)
The Augustan Court: Queen Anne and the Decline of Court Culture
L. Klein (1994)
Shaftesbury and the Culture of Politeness: Moral Discourse and Cultural Politics in Early Eighteenth-Century England
(1944)
Ricciolini romano e le polemiche settecentesche sull'architettura
B. Arciszewska (2005)
'DESPAIRING OF SUCCESS': GIACOMO LEONI AND ALESSANDRO GALILEI IN EIGHTEENTH-CENTURY LONDON, 30
(1991)
II ruolo del disegn il concorso per la facciata di San Giovanni in Laterano', In urbe architectus. Modelli, disegni, misure. La professi dell'archiietlo Roma 1680-iy^o
Quotation from a letter of Vanbrugh's (Whistler, Imagination
Galilei's mother came from a family of renowned goldsmiths and medallists, her father had been master of the Grand Ducal mint in Florence
(1976)
Silvani's designs are preserved in the Uffizi collection, Uff. A 2918 and A 2919, and were identified by Caroline Coffey
G. Curcio, E. Kieven (2000)
Storia dell'architettura italiana : il settecento
‘I will carry with me the best architect in Europe.’ With these bold words Robert, first Viscount Molesworth, announced to his wife his arrival in Ireland in the company of the young Italian architect and engineer Alessandro Galilei in May 1717. Lord Molesworth could not know that, twenty years later, Galilei would be indeed one of the best-known architects in Europe, after having built in Rome, to the order of Pope Clement XII Corsini (1730–40), the facade of San Giovanni in Laterano (St John Lateran), the Cappella Corsini in the same church and the facade of San Giovanni dei Fiorentini. Galilei was born on 25 August 1691, in Florence, the eldest son of the notary Giuseppe Maria Galilei and his wife Margherita Merlini. The Galilei family could trace their lineage to the Buonaiuti, who in the fourteenth century twice held the post of ‘Gonfaloniere della Giustizia’, then the most important position in the city government. They took the surname Galilei from the last Gonfaloniere in their family, the master of philosophy and medicine, Galileo (early fifteenth century). Even into the sixteenth century, members of the family belonged to the town council. The most famous bearer of the name was without doubt Galileo Galilei (1564–1641), from whom Alessandro was not directly descended but to whom he was remotely related. Although Alessandro’s father, Giuseppe, who in 1707 and 1711 was Proconsul of Notaries, counted himself as one of the nobili, the standing of the old patrician families had been considerably reduced under the Medici Grand Dukes because they did not actually hold a landed title. Financial decline seems also to have damaged the prestige of Alessandro’s branch of the family.
Architectural History – Cambridge University Press
Published: Apr 11, 2016
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