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Salisbury House in London, 1599-1694.: The Strand Palace of Sir Robert Cecil

Salisbury House in London, 1599-1694.: The Strand Palace of Sir Robert Cecil Salisbury House is but one example from a significant corpus of architectural patronage carried out by a single family. In two generations, the Cecils created three great ‘prodigy houses’ among a range of notable country houses including Cranborne Manor in Dorset, Pymmes in Hertfordshire, Wothorpe Lodge near Burghley House in Northamptonshire, and Snape Castle in Yorkshire. It was William Cecil, 1st Baron Burghley (1520/21-98), who from the early 1560s initiated this prolific campaign of building with Burghley House in Northamptonshire, Theobalds in Hertfordshire, and Burghley House in London. Both Thomas Cecil (1542-1623) and Robert Cecil (1563-1612) inherited their father’s passion for architecture. Even when Burghley House in the Strand was nearing completion, Thomas continued work on his remarkable Italianate villa in Wimbledon (begun 1588, demolished c. 1720), one of the most innovative houses of the period, with a three-sided plan, built on a steeply sloping hillside that prompted the composition of elaborate terraces. Like the family’s other properties, Wimbledon House was able to offer hospitality to Elizabeth I, while Hatfield House, built by Robert Cecil between 1607 and 1612, was specifically designed to entertain James I and his Queen, Anne of Denmark. In London, Robert Cecil’s architectural patronage started in about 1596 with the improvement and remodelling of Beaufort House in Chelsea, apparently in order to extend his influence into that area, although the scheme was quickly abandoned. Three years later, Robert began Salisbury House in the Strand, while in 1609 he built the first commercial centre in the West End, known as the ‘New Exchange’. From 1612, he also developed a strip of land along the west side of St Martin’s Lane as a new residential area, but did not live to see it completed. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Architectural History Cambridge University Press

Salisbury House in London, 1599-1694.: The Strand Palace of Sir Robert Cecil

Architectural History , Volume 52: 48 – Apr 11, 2016
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Publisher
Cambridge University Press
Copyright
Copyright © Society of Architectural Historians of Great Britain 2009
ISSN
2059-5670
eISSN
0066-622X
DOI
10.1017/S0066622X00004147
Publisher site
See Article on Publisher Site

Abstract

Salisbury House is but one example from a significant corpus of architectural patronage carried out by a single family. In two generations, the Cecils created three great ‘prodigy houses’ among a range of notable country houses including Cranborne Manor in Dorset, Pymmes in Hertfordshire, Wothorpe Lodge near Burghley House in Northamptonshire, and Snape Castle in Yorkshire. It was William Cecil, 1st Baron Burghley (1520/21-98), who from the early 1560s initiated this prolific campaign of building with Burghley House in Northamptonshire, Theobalds in Hertfordshire, and Burghley House in London. Both Thomas Cecil (1542-1623) and Robert Cecil (1563-1612) inherited their father’s passion for architecture. Even when Burghley House in the Strand was nearing completion, Thomas continued work on his remarkable Italianate villa in Wimbledon (begun 1588, demolished c. 1720), one of the most innovative houses of the period, with a three-sided plan, built on a steeply sloping hillside that prompted the composition of elaborate terraces. Like the family’s other properties, Wimbledon House was able to offer hospitality to Elizabeth I, while Hatfield House, built by Robert Cecil between 1607 and 1612, was specifically designed to entertain James I and his Queen, Anne of Denmark. In London, Robert Cecil’s architectural patronage started in about 1596 with the improvement and remodelling of Beaufort House in Chelsea, apparently in order to extend his influence into that area, although the scheme was quickly abandoned. Three years later, Robert began Salisbury House in the Strand, while in 1609 he built the first commercial centre in the West End, known as the ‘New Exchange’. From 1612, he also developed a strip of land along the west side of St Martin’s Lane as a new residential area, but did not live to see it completed.

Journal

Architectural History – Cambridge University Press

Published: Apr 11, 2016

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