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/lp/de-gruyter/screening-landscapes-film-between-the-picturesque-and-the-painterly-UA17nTN2HF
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- Publisher
- de Gruyter
- Copyright
- © 2021 Steven Jacobs, published by Sciendo
- eISSN
- 2066-7779
- DOI
- 10.2478/ausfm-2021-0001
- Publisher site
- See Article on Publisher Site
Abstract
AbstractInherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of das Malerische or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), 1 the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.
Journal
Acta Universitatis Sapientiae, Film and Media Studies – de Gruyter
Published: Mar 1, 2021
Keywords: picturesque; photoresque; painting and film; stillness and movement in film