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- Publisher
- de Gruyter
- Copyright
- © 2017 Anna Bátori, published by De Gruyter Open
- ISSN
- 2066-7779
- eISSN
- 2066-7779
- DOI
- 10.1515/ausfm-2017-0003
- Publisher site
- See Article on Publisher Site
Abstract
AbstractThe paper investigates Brothers and Sisters (Geschwister-Kardeşler, 1995), the first piece of Thomas Arslan’s Berlin-trilogy. While putting the film into the socio-historical context of the newly united German Republic, the study aims to highlight the characters’ struggle and constant shift between their Turkish and German identity. Through the narrative and textual analysis of Brothers and Sisters, the paper reveals the visual forms of social exclusion and concludes that in Arslan’s film, the characters bear with no social identity but various stages of identification, which keep them in an in-between, insecure position.
Journal
Acta Universitatis Sapientiae, Film and Media Studies – de Gruyter
Published: Dec 1, 2017