Access the full text.
Sign up today, get DeepDyve free for 14 days.
T. Dant (1999)
Material Culture in the Social World
M. Wyburn
Intellectual property, cultural issues and codes of conduct in the market for Australian indigenous artworks
S. Banerjee (2008)
Corporate Social Responsibility: The Good, the Bad and the UglyCritical Sociology, 34
M. Brugnach, H. Ingram (2012)
Ambiguity: the challenge of knowing and deciding togetherEnvironmental Science & Policy, 15
J. Margolis, J. Walsh (2003)
Misery Loves Companies: Rethinking Social Initiatives by BusinessAdministrative Science Quarterly, 48
N.H.H. Graburn
Foreword
R. Rentschler
Marketing aboriginal art: an intellectual property fiction?
V. Blundell (1993)
Aboriginal empowerment and souvenir trade in Canada.Annals of Tourism Research, 20
S. Shenhav-Keller (1993)
The Israeli souvenir: its text and context.Annals of Tourism Research, 20
A. Agrawal (1995)
Dismantling the Divide Between Indigenous and Scientific KnowledgeDevelopment and Change, 26
T. Savage
The effects of commodification and museumification of Ainu on language revitalisation and maintenance
Sidney Cheung (2005)
Rethinking Ainu Heritage: A Case Study of an Ainu Settlement in Hokkaido, JapanInternational Journal of Heritage Studies, 11
D. Timothy
Shopping Tourism, Retailing, and Leisure
B. Langer, M. Certeau (1988)
The Practice of Everyday LifeContemporary Sociology, 17
E. Michaels
Bad Aboriginal Art
United Nations World Tourism Organization
Tourism highlights: 2008 edition
Y. Bentor (1993)
Tibetan tourist thangkas in the Kathmandu ValleyAnnals of Tourism Research, 20
J. Tsalikis, D. Fritzsche (1989)
Business ethics: A literature review with a focus on marketing ethicsJournal of Business Ethics, 8
J. Baudrillard, Charles Levin (1980)
3 For a Critique of the Political Economy of the SignJean Baudrillard: Selected Writings
Kristen Swanson, D. Timothy (2012)
Souvenirs: Icons of meaning, commercialization and commoditizationTourism Management, 33
M. Deery, L. Jago, Michael Stewart (2007)
Corporate social responsibility within the hospitality industry.Tourism Review International, 11
R. Belk (1988)
Possessions and the Extended SelfJournal of Consumer Research, 15
K. Barker (1994)
The be PC or not to be?: A social psychological inquiry into political correctness.Journal of Social Behavior and Personality
H. Wilkins (2011)
Souvenirs: What and Why We BuyJournal of Travel Research, 50
M. Whiteside, K. Tsey, W. Earles (2011)
Locating Empowerment in the Context of Indigenous AustraliaAustralian Social Work, 64
R. Coleman (1998)
African American Viewers and the Black Situation Comedy: Situating Racial Humor
C. Boggs
Social Movements and Political Power
A. Van den Bosch
The Australian Art World: Aesthetics in a Global Market
United Nations World Tourism Organization
Report of the world tourism organization to the united nations secretary‐general in preparations for the high level meeting on the mid term comprehensive global review of the program of action for the least developed countries for the decade 2001‐2010
M. Apte
Ethnic humor versus ‘sense of humor’: an American sociocultural dilemma
N. Graburn (1984)
The evolution of tourist artsAnnals of Tourism Research, 11
B. Gordon (1986)
The Souvenir: Messenger of the ExtraordinaryThe Journal of Popular Culture, 20
K.L. Martin
Please Knock Before You Enter: Aboriginal Regulation of Outsiders and the Implications for Researchers
Thomas Ford, Mark Ferguson
Personality and Social Psychology Review Social Consequences of Disparagement Humor: a Prejudiced Norm Theory Personality and Social Psychology Review Additional Services and Information For
V. Blundell
The art of country: aesthetics, place, and aboriginal identity
T. Janke, R. Quiggin
Indigenous cultural and intellectual property: the main issues for the Indigenous arts industry in 2006
J. Hendry (2005)
Reclaiming Culture: Indigenous People and Self-Representation
E. Cohen, R. Butler, D. Pearce (1995)
Contemporary tourism - trends and challenges: sustainable authenticity or contrived post-modernity?
T. Irimoto
Political movement, legal reformation and transformation of Ainu identity
M. Littrell (1990)
Symbolic significance of textile crafts for touristsAnnals of Tourism Research, 17
A. Bosch, R. Rentschler (2009)
Authorship, Authenticity, and Intellectual Property in Australian Aboriginal ArtThe Journal of Arts Management, Law, and Society, 39
Michael Simons (2000)
Aboriginal heritage art and moral rights.Annals of Tourism Research, 27
K. White, R. MacDonnell, J. Ellard (2012)
Belief in a Just World: Consumer Intentions and Behaviors toward Ethical ProductsJournal of Marketing, 76
O. Fisscher, A. Nijhof (2005)
Implications of business ethics for quality managementThe Tqm Magazine, 17
N.H.H. Graburn
Tourism: the sacred journey
R. Siddle (2002)
An epoch-making event? The 1997 Ainu Cultural Promotion Act and its impactJapan Forum, 14
Shayne Grice, M. Humphries (1997)
Critical management studies in postmodernity: oxymorons in outer space?Journal of Organizational Change Management, 10
Robert Engle (2007)
Corporate social responsibility in host countries: a perspective from American managersCorporate Social Responsibility and Environmental Management, 14
T. Ford, M. Ferguson
Social consequences of disparagement humor: a prejudiced norm theory
J. Henderson (2007)
Corporate social responsibility and tourism: Hotel companies in Phuket, Thailand, after the Indian Ocean tsunamiInternational Journal of Hospitality Management, 26
C. O'Brien
Protecting secret sacred designs – indigenous culture and intellectual property law
R. Rentschler, J. Morss, N. Charwat, A. Van Den Bosch
Aboriginal Art Market: Intellectual Property Case Studies
E. Edwards
Postcards: greetings from another world
American Anthropological Association (AAA)
Code of Ethics of the American Anthropological Association
B. Horrigan (2008)
21st Century Corporate Social Responsibility Trends - An Emerging Comparative Body of Law and Regulation on Corporate Responsibility, Governance, and SustainabilityStrategy & Social Policies eJournal
L. Brennan
Careful what you consume: Australian indigenous art
R. Reidenbach, D. Robin (1990)
Toward the development of a multidimensional scale for improving evaluations of Business EthicsJournal of Business Ethics, 9
Susan Kleine, Robert Kleine, Chris Allen (1995)
How Is a Possession “Me” or “Not Me”? Characterizing Types and an Antecedent of Material Possession AttachmentJournal of Consumer Research, 22
World Intellectual Property Organization (WIPO)
Intellectual Property and Traditional Cultural Expressions
G. Boyce (2008)
The social relevance of ethics education in a global(ising) era: From individual dilemmas to systemic crisesCritical Perspectives on Accounting, 19
Kjell Olsen (2008)
The Maori of Tourist Brochures Representing IndigenousnessJournal of Tourism and Cultural Change, 6
B. Fredericks (2008)
Making an impact researching with Australian Aboriginal and Torres Strait Islander peoples, 5
Social and Cultural Rights (ICESCR) International Covenant on Economic
Office of the United Nations High Commission for Human Rights
C. Ryan, J. Huyton (1998)
Dispositions to Buy Postcards with Aboriginal Designs at Ulu ru-Kata Tjuta National ParkJournal of Sustainable Tourism, 6
B. Stevens (2008)
Corporate Ethical Codes: Effective Instruments For Influencing BehaviorJournal of Business Ethics, 78
World Intellectual Property Organization (WIPO)
Berne convention for the protection of literary and artistic works
Bo Hu, Hongliang Yu (2007)
Segmentation by craft selection criteria and shopping involvement.Tourism Management, 28
Y. Ma, M. Littrell, Linda Niehm (2012)
Young female consumers' intentions toward fair trade consumptionInternational Journal of Retail & Distribution Management, 40
Matthew Rimmer (2004)
Australian Icons: Authenticity Marks and Identity Politics, 3
Aysan Sev’er, S. Ungar (1997)
No Laughing Matter: Boundaries of Gender-Based Humour in the ClassroomThe Journal of Higher Education, 68
B. Coate
An economic analysis of the auction market for Australian art: evidence of indigenous difference and creative achievement
D. Morley (1992)
Television, Audiences and Cultural Studies
J. Altman, B. Hunter, S. Ward, F. Wright
The indigenous visual arts industry. Competition and consumer issues for indigenous Australians, a report to the Australian Competition and Consumer Commission (ACCC) by CAEPR
M. Fiskesjö
The Politics of cultural heritage
Danny Miller (1987)
Material Culture and Mass Consumption
R. Belk, Melanie Wallendorf, John Sherry (1989)
The Sacred and the Profane in Consumer Behavior: Theodicy on the OdysseyJournal of Consumer Research, 16
Australian Competition and Consumer Commission (ACCC)
ACCC institutes against seller of Aboriginal art for misleading representations
M. Schwartz, Alrchie Carroll (2003)
Corporate Social Responsibility: A Three-Domain ApproachBusiness Ethics Quarterly, 13
Mahadev Apte (1987)
Ethnic Humor Versus “Sense of Humor”American Behavioral Scientist, 30
P. Bohdanowicz (2007)
A case study of Hilton Environmental Reporting as a tool of corporate social responsibility.Tourism Review International, 11
G. Stevens (2001)
The Ainu and Human Rights: Domestic and International Legal ProtectionsJapanese Studies, 21
S. Levy (1999)
Symbols for Sale
Purpose – The purpose of this paper is to propose guidelines for business enterprises engaging with indigenous communities to protect their intellectual property rights, particularly indigenous art works produced for the souvenir industry. Design/methodology/approach – Literature on indigenous art and souvenirs demonstrating exploitation of indigenous communities’ intellectual property was facilitated by a lack of knowledge of how to otherwise behave. The proposed guidelines for commercial entities wishing to engage ethically with indigenous communities draws on international exemplars. Findings – A twelve‐point framework for ethical commerce in indigenous souvenirs between indigenous communities and businesses is proposed to ensure populations lacking economic and social power are not disenfranchised by limited experience in a market society. Social implications – The proposed guidelines contribute to achieving reconciliation between mainstream and indigenous people in various countries throughout the world. Originality/value – This paper assists development of guidelines enabling ethical decision‐making in the souvenir industry applying a critical approach to the principles of corporate responsibility.
Arts Marketing An International Journal – Emerald Publishing
Published: Oct 19, 2012
Keywords: Copyright; Intellectual property; Heritage; Crafts; Business ethics; Social responsibility; Corporate responsibility; Cultural marketing; Cultural copyright; Intellectual property rights in cultural heritage; Souvenirs; Ethical consumption
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.