Access the full text.
Sign up today, get DeepDyve free for 14 days.
[The Song era is often seen as offering a pinnacle of design excellence. This can be attributed to two apparently competing trends. Firstly, a reaction against the extravagance of late-Tang design was encouraged by Song-sponsored Neo-Confucianism which emphasised simplicity both in design and in a social structure taking its lead from a superior being—the Emperor—and looking back to some of the classics of the pre-Qin era for inspiration. The second trend was rapid technological change, with improvements in agriculture, the invention of printing with movable type, and the perfection of paper and of gunpowder. The succeeding Yuan dynasty added the creation of the first true porcelain. Ceramics more generally are emphasised in this chapter as illustrating the outcomes of design thinking during this period, but building techniques and furniture were also involved. Under the Yuan, China briefly became part of a wider Mongol empire, bringing the first substantial connections with Europe and initiating the western diffusion of Chinese design cultures.]
Published: Oct 6, 2022
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.