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A Companion of Feminisms for Digital Design and SpherologyA Baroque Performance of the Female in Body Copy and Page Layout

A Companion of Feminisms for Digital Design and Spherology: A Baroque Performance of the Female... [The design-in of this chapter concerns body copy in relation to the page layouts of Spheres and the exhibition catalogue for Making Things PublicMaking Things Public (Sloterdijk in Latour and Weibel 2005). Body copy is the name given when words on the page are visually prepared. Part one considers the mysticism of Santa Teresa d’ÁvilaÁvila, Santa Teresa d’ and how Sloterdijk uses provocative imagery of female-becomingbecoming as performative cuts in textual ideas. Part two examines Peter Sloterdijk’s collaborative design work using speculative scenography (2005). By understanding design methods as intellectual know-how, I argue typographically against the credits for this work. These parts are a baroque contribution to the know-how of “doing diagramsdiagramdoing diagrams” taken from a practitioner’s perspective (VerranVerran, Helen and Winthereik in Law and Ruppert 2016).] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

A Companion of Feminisms for Digital Design and SpherologyA Baroque Performance of the Female in Body Copy and Page Layout

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Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s) 2019
ISBN
978-3-030-02286-0
Pages
87 –114
DOI
10.1007/978-3-030-02287-7_5
Publisher site
See Chapter on Publisher Site

Abstract

[The design-in of this chapter concerns body copy in relation to the page layouts of Spheres and the exhibition catalogue for Making Things PublicMaking Things Public (Sloterdijk in Latour and Weibel 2005). Body copy is the name given when words on the page are visually prepared. Part one considers the mysticism of Santa Teresa d’ÁvilaÁvila, Santa Teresa d’ and how Sloterdijk uses provocative imagery of female-becomingbecoming as performative cuts in textual ideas. Part two examines Peter Sloterdijk’s collaborative design work using speculative scenography (2005). By understanding design methods as intellectual know-how, I argue typographically against the credits for this work. These parts are a baroque contribution to the know-how of “doing diagramsdiagramdoing diagrams” taken from a practitioner’s perspective (VerranVerran, Helen and Winthereik in Law and Ruppert 2016).]

Published: Dec 13, 2018

Keywords: Baroque Baroque; Critical design design; Know-how know-how; Mysticism mysticism; Speculative design designspeculative design

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