A Corpus of Rembrandt Paintings VIThe second Amsterdam period (1635-1642). From leaving Uylenburgh to the completion of the Night Watch
A Corpus of Rembrandt Paintings VI: The second Amsterdam period (1635-1642). From leaving...
Van De Wetering, Ernst
2014-11-04 00:00:00
[The way the project of the large etched Passion series 107-114 (see also p. 179) petered out prematurely leads one to suspect that Rembrandt's collaboration with Uylenburgh was no longer running smoothly. At the final count, the project had delivered only two prints while most of the sketches remained unused. The production of portraits also seems to have encountered problems, with only four relatively small ones completed in 1635, of which two at most may have been executed more or less by Rembrandt himself 132a/b and 133a/b.]
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A Corpus of Rembrandt Paintings VIThe second Amsterdam period (1635-1642). From leaving Uylenburgh to the completion of the Night Watch
[The way the project of the large etched Passion series 107-114 (see also p. 179) petered out prematurely leads one to suspect that Rembrandt's collaboration with Uylenburgh was no longer running smoothly. At the final count, the project had delivered only two prints while most of the sketches remained unused. The production of portraits also seems to have encountered problems, with only four relatively small ones completed in 1635, of which two at most may have been executed more or less by Rembrandt himself 132a/b and 133a/b.]
Published: Nov 4, 2014
Keywords: Passion Series; Private Collection; Picture Frame; National Gallery; Night Watch
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