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A Critical Theory of CreativityFrom Genesis to Job

A Critical Theory of Creativity: From Genesis to Job [As this book moves towards its conclusion, it is important to stress that in Chapter 4, I made no theological claim for the validity Navajo religion. Neither in Chapter 6 did I attempt to insert anything of the supernatural into the epistemological gap that Fry had detected in his understanding of the meaning of art. My argument about creativity, aesthetics and design is rooted instead in Utopian critical theory, along with psychoanalysis and formal theories of art. This has steered us firmly towards the concept of a homocentric universe, echoing Bloch’s assertion from my introduction that life has been put into our hands.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

A Critical Theory of CreativityFrom Genesis to Job

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References (2)

Publisher
Palgrave Macmillan UK
Copyright
© The Editor(s) (if applicable) and The Author(s) 2015
ISBN
978-1-349-68579-0
Pages
116 –130
DOI
10.1057/9781137446176_8
Publisher site
See Chapter on Publisher Site

Abstract

[As this book moves towards its conclusion, it is important to stress that in Chapter 4, I made no theological claim for the validity Navajo religion. Neither in Chapter 6 did I attempt to insert anything of the supernatural into the epistemological gap that Fry had detected in his understanding of the meaning of art. My argument about creativity, aesthetics and design is rooted instead in Utopian critical theory, along with psychoanalysis and formal theories of art. This has steered us firmly towards the concept of a homocentric universe, echoing Bloch’s assertion from my introduction that life has been put into our hands.]

Published: Dec 18, 2015

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