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A NIME Reader2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing

A NIME Reader: 2002: Multimodal Interaction in Music Using the Electromyogram and Relative... [This paper describes a technique of multimodal, multichannel control of electronic musical devices using two control methodologies, the electromyogram (EMG) and relative position sensing. Requirements for the application of multimodal interaction theory in the musical domain are discussed. We introduce the concept of bidirectional complementarity to characterize the relationship between component sensing technologies. Each control can be used independently, but together they are mutually complementary. This reveals a fundamental difference from orthogonal systems. The creation of a concert piece based on this system is given as example.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

A NIME Reader2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing

Part of the Current Research in Systematic Musicology Book Series (volume 3)
Editors: Jensenius, Alexander Refsum; Lyons, Michael J.
A NIME Reader — Mar 7, 2017

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References (2)

  • B Caramiaux (2015)

    31

    ACM Transactions on Computer-Human Interaction, 21

  • P Bach-y Rita (2003)

    541

    Trends in Cognitive Sciences, 7

Publisher
Springer International Publishing
Copyright
© Springer International Publishing AG 2017
ISBN
978-3-319-47213-3
Pages
45 –58
DOI
10.1007/978-3-319-47214-0_4
Publisher site
See Chapter on Publisher Site

Abstract

[This paper describes a technique of multimodal, multichannel control of electronic musical devices using two control methodologies, the electromyogram (EMG) and relative position sensing. Requirements for the application of multimodal interaction theory in the musical domain are discussed. We introduce the concept of bidirectional complementarity to characterize the relationship between component sensing technologies. Each control can be used independently, but together they are mutually complementary. This reveals a fundamental difference from orthogonal systems. The creation of a concert piece based on this system is given as example.]

Published: Mar 7, 2017

Keywords: Musical Instrument; Musical Performance; Multimodal Interface; Multimodal Interaction; Acoustic Sound

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