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[The previous chapter began with the experience of two inaugural moments of performance, a disaster and a fiasco. Both touched on a particular spectatorial sensibility, that of the ‘existential-phenomenological thrill’. However, in a consideration of the drama of disaster and the separating power of spectacle, the experience of audience has been neglected in favour of the audience of experience, marked by the alienating power of representation momentarily overcome in what I have called points of suspension.]
Published: Nov 5, 2015
Keywords: Theatrical Event; Previous Chapter; Infinite Resistance; Autonomous Moral Agent; Full Command
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