Access the full text.
Sign up today, get DeepDyve free for 14 days.
[This chapter takes the Romantic genius as its first example of this process, and one in which Byatt’s fiction takes a telling and illuminating interest. To analyse why Byatt’s literary interventions here are so important, I return to Michel Foucault’s understanding of discourse, Coupe’s of mythopoeia and Hayden White’s of historical knowledge. Byatt’s depictions of masculine ‘genius’ exert discursive dominance (and cultural prominence and status) in limited ways, particularly alongside feminine, imaginative intellectual activity. This chapter will observe this process in Byatt’s mythopoeic appropriations of ‘genius’ and their presuppositions (e.g. of public work and status, and masculine life) in The Shadow of the Sun (1964), her first collection of short stories Sugar and Other Stories (1987) and two later collections The Djinn in the Nightingale’s Eye (1994) and Elementals (1998).]
Published: Aug 31, 2022
Keywords: Romanticism; Genius; Gender; Discourse; Historical knowledge
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.