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Eugenio Barba, N. Savarese (1991)
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Stefan Meisiek, D. Barry (2015)
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V. Meyerhold, E. Hapgood (1964)
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Foster Hirsch (1984)
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J. Grotowski (1967)
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J. Varley (2010)
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Emma Policastro (1995)
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R. Sawyer (2007)
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Konstantin Stanislavski (1935)
My Life in Art
Tatiana Chemi, Pierangelo Pompa (2017)
Theatre as Co-Creative Space and as Inspiration for Higher Education
E. Braun (1970)
Meyerhold on theatre
T. Richards (1995)
At work with Grotowski on physical actions
Tatiana Chemi, J. Jensen, Lone Hersted (2014)
Behind the Scenes of Artistic Creativity: Processes of Learning, Creating and Organising
P. Gray (1964)
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Tatiana Chemi, L. Krogh (2017)
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Lisa Wolford, R. Schechner (1997)
The Grotowski sourcebook
A. Kuhlmann (2013)
In the shade we stumble. Theatre laboratory as a living archive
[This chapter provides and discusses a definition for the volatile concept of theatre laboratory, outlining an historical framework for this theatrical phenomenon. Common traits of theatre laboratories will be identified, as well as critical reflections against a cohesive look at theatre laboratory as a consistent form. While acknowledging the diversity of historical purposes and practices, some clear commonalities can be found. These might include, for instance, the fact that these spaces are reminiscent of a Renaissance studio, or that the laboratory needs a collaborating group who exchanges knowledge (pedagogy), shares values and is experimental in its approach (research). Odin Teatret is taken as the main example of the tradition of theatre laboratory, and its laboratorial practices are described.]
Published: Oct 24, 2017
Keywords: Theatre Laboratory; Odin Teatret; Stanislavski; Grotowski; Meyerhold
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