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Cyrano Bergerac, P. Jacob (1962)
Histoire comique des états et empires de la lune et du soleil
J. Lamarck
Recherches sur l'organisation des corps vivans et particulièrement sur son origine, sur la cause de ses développemens et des progrès de sa composition, et sur celle qui, tendant continuellement à la détruire dans chaque individu, amène nécessairement sa m
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Napoleon: Abel Gance's Classic Film
C. Flammarion (2015)
La pluralité des mondes habités
J. Monroe (2007)
Laboratories of Faith: Mesmerism, Spiritism, and Occultism in Modern France
R. Levitas (2013)
Utopia as Method
Maurice Maeterlinck (1986)
Le trésor des humbles
Colette Lay (2004)
Astronomie des dames, 36
G. Deshayes, F. Dujardin, J. Lamarck, H. Milne-Edwards, A. Nordmann
Histoire naturelle des animaux sans vertèbres : présentant les caractères généraux et particuliers de ces animaux ... : précédée d'une introduction ... / par J. B. P. A. de Lamarck.
Maurice Maeterlinck
La grande féerie
C. Flammarion
Les forces naturelles inconnues
Edgar Poe (1848)
Eureka: A Prose Poem
J. Norman, Alistair Welchman, C. Janaway, A. Schopenhauer (2010)
Schopenhauer: 'The World as Will and Representation': Volume 1
D. King-hele (1986)
Erasmus Darwin and the Romantic Poets
F. Nietzsche, S. Whiteside, M. Tanner (1994)
The Birth of Tragedy Out of the Spirit of Music
Anna Townsend (2012)
Scriabin and the PossibleMusic Theory Online, 18
Faubion Bowers (2011)
Scriabin, a Biography
J. Welsh, S. Kramer (1975)
Abel Gance's Accusation against WarCinema Journal, 14
B. Magee (2000)
Wagner and Philosophy
A. Symons
From 'The Symbolist Movement in Literature'
Angela Lampe, Robert Delaunay (2014)
Robert Delaunay rythmes sans fin
[This chapter analyses how the narrative of terrestrial disaster in La Fin du Monde relates to Gance’s spiritual view of the universe—and the role he believed cinema should play in reshaping humanity’s awareness of reality. Cuff relates the various literary, philosophic, and scientific influences on Gance’s utopian conception of cinema. The chapter shows how this conception of cinema drew upon various forms of scientific mysticism. The figures Cuff discusses include Erasmus Darwin, Jean-Baptiste Lamarck, Arthur Schopenhauer, Friedrich Nietzsche, Camille Flammarion, and Ricciotto Canudo. The chapter examines how aspects of pantheism, spiritualism, and utopian discourse shaped Gance’s belief in the power of cinema to solve international discord.]
Published: Nov 12, 2016
Keywords: Continental Drift; Spiritual Intelligence; Lengthy Passage; Invisible World; Progressive Perfection
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