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Philip Nord, Edward Berenson, Vincent Duclert, C. Prochasson (2011)
5. The Third Republic
Owen Morgan (2007)
‘J’accuse...!’: Zola and the Dreyfus Affair
Laurent Véray (2000)
Abel Gance, cinéaste à l'œuvre cicatricielle
Henri Barbusse
Le couteau entre les dents : aux intellectuels
O. Bartov (2000)
Mirrors of Destruction: War, Genocide, and Modern Identity
Abel Gance, Roger Icart (1983)
Abel Gance, ou, Le Prométhée foudroyé
P. Cuff (2015)
A Revolution for the Screen: Abel Gance's Napoleon
[This chapter details the sequence of projects Gance envisaged during the 1910s and 1920s, concentrating on the ways in which they were informed by the humanitarian disaster of the Great War. Cuff contextualizes Gance’s pacifist political position in relation to controversial writers like Emile Zola, Henri Barbusse, and Richard Grelling. The chapter details the relationship between the finished production of J’accuse! (1919) and the unfinished war trilogy of which it was part, as well as the aborted film Ecce Homo (1918) and the religious trilogy of which it was part. Cuff shows how their ideological concern with cultural reform was the basis for many subsequent projects, and concludes the chapter by evaluating La Roue (1922) and Napoléon (1927) in this post-war context.]
Published: Nov 12, 2016
Keywords: Exotic Dance; Textual Alteration; Fellow Soldier; Ecce Homo; Insane Asylum
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