Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
[In this chapter, we will discuss how we can organize all the grafted instruments into a broader context. As an example, we will discuss a framework to define the relationships between the different instrument variations. The framework will be based on the idea of creating a large portfolio of different sounds and styles. Instead of looking for the one, iconic sound, we will explore how we can diversify our musical identity into several unique voices. Using the concept of internal diversityInternal diversity, a performer can draw and benefit from both intuitiveIntuitive thinking and rational approachesRational thinking to music. To achieve this goal, we will use the non-judgmental approach we discussed in the context of the Deep ListeningDeep Listening philosophy in Chap. 4.]
Published: Apr 26, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.