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Michael Sprinker, F. Jameson (1982)
The Part and the Whole@@@Fables of Aggression: Wyndham Lewis, the Modernist as Fascist@@@The Political Unconscious: Narrative as a Socially Symbolic ActDiacritics, 12
David Mayall (2003)
Gypsy Identities 1500-2000: From Egipcyans and Moon-men to the Ethnic Romany
Anne Anderson (2002)
Victorian high society and social duty: the promotion of 'recreative learning and voluntary teaching'History of Education, 31
D. Maltz (2005)
British Aestheticism and the Urban Working Classes, 1870-1900: Beauty for the People
[John Davidson was a great admirer of the novelist George Gissing, who has come down to us as the novelist of réssentiment.2 Davidson’s resentful clerk in “Thirty Bob A Week” (1894) could have been a character in Gissing. Beginning with an altruistic mission, to cure disease, Davidson’s Vivisector soon became the opposite of the philanthropist: the deranged scientist in pursuit of knowledge at any price. In TheWhirlpool, partly inspired by Davidson’s life — the painful waste of urban poverty whirling in unutterable agony but sweetened in sexual love — Gissing is more closely allied to the Decadence than we often think, his Netherworld of London slums as infernal as Davidson’s tortured cosmos.]
Published: Nov 30, 2015
Keywords: Great Admirer; Marginal People; Gypsy Family; Beautiful Object; Sexual Love
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