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Proceedings of the Worldwide Music Conference 2021Ancient Russian Znamenny Chant Notation as a Semiotic System

Proceedings of the Worldwide Music Conference 2021: Ancient Russian Znamenny Chant Notation as a... [The article deals with the semiotic roots of the signs of the Old Russian znamenny notation. The source of the znamenny notation was the Paleo-Byzantine notation. In Russia, the znamenny notation has been developing for more than seven centuries. The methodological approach to the study of znamenny semiography in this article is based on the theory of the sign by Charles Peirce, according to which there are three main classes of signs: signs-icons, signs-indices and signs-symbols. Banners - signs of znamenny notation, are also divided into three types: signs-icons - alphabet signs, popevki (kokizy) - signs-indexes, and fit outlines - respectively signs-symbols. There are also mega-signs that regulate vocal technique of chants. Znamenny chant is viewed as the musical language of the Russian Middle Ages, the melody of which is closely related to the intonation of words in chants.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Proceedings of the Worldwide Music Conference 2021Ancient Russian Znamenny Chant Notation as a Semiotic System

Part of the Current Research in Systematic Musicology Book Series (volume 8)
Editors: Khannanov, Ildar D.; Ruditsa, Roman
Vladyshevskaia, Tatiana
Proceedings of the Worldwide Music Conference 2021 — Apr 13, 2021
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References (2)

Publisher
Springer International Publishing
Copyright
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
ISBN
978-3-030-74038-2
Pages
65 –75
DOI
10.1007/978-3-030-74039-9_8
Publisher site
See Chapter on Publisher Site

Abstract

[The article deals with the semiotic roots of the signs of the Old Russian znamenny notation. The source of the znamenny notation was the Paleo-Byzantine notation. In Russia, the znamenny notation has been developing for more than seven centuries. The methodological approach to the study of znamenny semiography in this article is based on the theory of the sign by Charles Peirce, according to which there are three main classes of signs: signs-icons, signs-indices and signs-symbols. Banners - signs of znamenny notation, are also divided into three types: signs-icons - alphabet signs, popevki (kokizy) - signs-indexes, and fit outlines - respectively signs-symbols. There are also mega-signs that regulate vocal technique of chants. Znamenny chant is viewed as the musical language of the Russian Middle Ages, the melody of which is closely related to the intonation of words in chants.]

Published: Apr 13, 2021

Keywords: Semiotics; Kinovar; Hooks; Banners; Znamenny chant; Znamenny notation; Neumatic signs; Pillar notation; Stichera; Tunes; Fitas; Russian middle ages musical language; Old Russian znamenny notation; Melodies of the old Russian chants

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