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The Impact of Artists on Contemporary Urban Development in EuropeAfter the Archipelago Basins: The Case of Independent Music Stage in Warsaw

The Impact of Artists on Contemporary Urban Development in Europe: After the Archipelago Basins:... [This chapter explores the notion of experience economy in case of independent music in Warsaw. The aim was to investigate to which extent global shifts in music market such as the ‘MP3 crisis’, technological developments and social media resonate in secondary metropolises such as Warsaw. Particular focus is put on spatial dimension regarding location factors of artistic production, interaction and performance. The research based on a qualitative case study shows that Warsaw is a very clear case of increasing differences between locations of artistic production (peripheral) and performance and interaction (central) of independent music. Findings show that spaces of independent music production do not involve audiences and therefore are not directly part of the experience economy, whereas spaces of independent music performance and interaction became subject of political opportunity of various intermediaries which put that case on the policy agenda resulting in preferential rents and a supportive grant system.] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

The Impact of Artists on Contemporary Urban Development in EuropeAfter the Archipelago Basins: The Case of Independent Music Stage in Warsaw

Part of the GeoJournal Library Book Series (volume 123)
Editors: Murzyn-Kupisz, Monika; Działek, Jarosław
Wojnar, Katarzyna
The Impact of Artists on Contemporary Urban Development in Europe — Apr 5, 2017
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References (53)

Publisher
Springer International Publishing
Copyright
© Springer International Publishing AG 2017
ISBN
978-3-319-53215-8
Pages
141 –159
DOI
10.1007/978-3-319-53217-2_6
Publisher site
See Chapter on Publisher Site

Abstract

[This chapter explores the notion of experience economy in case of independent music in Warsaw. The aim was to investigate to which extent global shifts in music market such as the ‘MP3 crisis’, technological developments and social media resonate in secondary metropolises such as Warsaw. Particular focus is put on spatial dimension regarding location factors of artistic production, interaction and performance. The research based on a qualitative case study shows that Warsaw is a very clear case of increasing differences between locations of artistic production (peripheral) and performance and interaction (central) of independent music. Findings show that spaces of independent music production do not involve audiences and therefore are not directly part of the experience economy, whereas spaces of independent music performance and interaction became subject of political opportunity of various intermediaries which put that case on the policy agenda resulting in preferential rents and a supportive grant system.]

Published: Apr 5, 2017

Keywords: Independent music; Experience economy; Cultural intermediaries; Cultural policy; Music industry; Warsaw

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