Access the full text.
Sign up today, get DeepDyve free for 14 days.
Benoît Feildel (2013)
Vers un urbanisme affectif. Pour une prise en compte de la dimension sensible en aménagement et en urbanisme, 2
M. Gravari‑Barbas (2009)
La « ville festive » ou construire la ville contemporaine par l'évènement, 86
Hyojung Bae (2013)
Participation dans le projet urbain : les cas de la ZAC Paris Rive Gauche à Paris et de l'aménagement du Gwanghwamun Square à Séoul
Sophie Gravereau (2012)
Être artiste à Belleville : un détournement « urbain » des règles de l'art ?
B. Anderson, A. Holden (2008)
Affective Urbanism and the Event of HopeSpace and Culture, 11
Elsa Vivant (2009)
Qu'est-ce que la ville créative?
Maie Gérardot (2011)
La construction rythmique de l’incontournable touristique. L’exemple de la tour EiffelArticulo – Journal of Urban Research
C. McAuliffe (2012)
Graffiti or Street Art? Negotiating the Moral Geographies of the Creative CityJournal of Urban Affairs, 34
H. Becker (1990)
Les mondes de l'artRevue Francaise De Sociologie, 31
R. Robertson (1994)
Globalisation or glocalisation?The Journal of International Communication, 18
P. Chaudoir (2007)
La ville événementielle : temps de l'éphémère et espace festif, 82
R. Florida (2003)
Cities and the Creative ClassCity & Community, 2
[In October 2013, the Tour Paris 13 (‘Paris 13 Tower’) street art exhibition took place inside a residential building about to be demolished and located in the heart of the urban redevelopment program named Zone d’Aménagement Concerté Paris Rive Gauche (‘Mixed Development Zone of Paris Rive Gauche’) within the 13th district of Paris. Using this case study, this chapter aims to provide a better understanding of the way art, and more specifically legal street art, impacts areas undergoing changes. What does this new form of artistic collaboration reveal about how cities are made today? What conception of the urban project does it give rise to, and how does it contribute to the transformation of the stakeholders’ network? Does it promote an economic attraction? And if so, to what extent? To answer these questions, I will first describe the frameworks that lie at the crossroads between legal street art and urban projects. Next, after presenting the situation of the Paris 13 Tower exhibition within the 13th district and the set-up of the event, I will examine the impacts of this art event and its diverse manifestations on the broader urban redevelopment scheme, and on the district’s attractiveness. In conclusion, I will engage in a broader reflection about the new urban dynamics generated by this type of event, and on how street art contributes in an ambivalent way to the broader processes of urban transformations.]
Published: Apr 5, 2017
Keywords: Legal street art; Urban project; Paris 13 tower; Attractiveness; Visibility; Public space
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.