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Gary Tartakov (1990)
Art and Identity: The Rise of a New Buddhist ImageryArt Journal, 49
C. Jaffrelot (2003)
India's silent revolution : the rise of the lower castes in North Indian politics
P. Karetzky (2002)
Wu Zetian and Buddhist Art of the Tang DynastyTang Studies, 2002
M. Belli (2014)
Monumental Pride: Mayawati's Memorials in Lucknow, 44
Ajoy Bose (2009)
Behenji: A Political Biography of Mayawati
Vidhu Verma (2010)
Reinterpreting Buddhism: Ambedkar on the Politics of Social Action.
M. Loynd (2009)
Understanding the Bahujan Samaj Prerna Kendra: Space, Place and Political MobilisationAsian Studies Review, 33
Gary Tartakov (2012)
Dalit art and visual imagery
(2016)
Luxury Indian Fashion: A Social Critique
R. Levitas (1990)
The Concept of UtopiaCapital & Class, 14
R. Barthes, Claude Coste, Kate Briggs (2012)
How to live together : novelistic simulations of some everyday spaces : notes for a lecture course and seminar at Colláege de France, 1976-1977
B. Hooks (1990)
Yearning: Race, Gender, and Cultural Politics
[In the early 2000s, Mayawati, the dalit Chief Minister of Uttar Pradesh, India, commissioned dozens of monumental architectural and sculptural memorials commemorating social reformers from her caste. This essay examines how the architectural and sculptural programs in two memorials—the Dr. Bhimrao Ambedkar Samajik Parivartan Prateek Sthal, in Lucknow, and the Rashtriya Dalit Prerna Sthal in Noida—create inclusive dalit utopias and announce Mayawati’s worth to lead her political party. Among Mayawati’s strategies in these memorials is appropriation from ancient Indian Buddhist art and performances of kingship. These appropriations are apt as many dalits embrace the faith for its messages of anti-casteism and widely held belief that the members of the community were among India’s first Buddhists.]
Published: Mar 10, 2017
Keywords: Indian Constitution; Indian House; Buddhist Monk; Chief Minister; Bronze Statue
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