Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Weimar Culture RevisitedMiddle-Class Heroes: Anti-Nationalism in the Popular Adventure Films of the Weimar Republic

Weimar Culture Revisited: Middle-Class Heroes: Anti-Nationalism in the Popular Adventure Films of... [Scholars traditionally read Weimar film as a symptomatic manifestation of national traditions, longings, and fears. Siegfried Kracauer’s seminal work of 1947, From Caligari to Hitler, identified postwar German film with the three major paradigms customarily associated with Weimar culture as a whole: ominous anticipation of the rise of Nazism, inability to come to terms with the traumatic experiences of World War I, and dispassionate escapism in the face of contemporary crises.1 While present-day scholars reject Kracauer’s focus on the “German soul” and its psychotic pathology, they often share his perception of the essential role of films in the formation of postwar German nationalism.2] http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png

Weimar Culture RevisitedMiddle-Class Heroes: Anti-Nationalism in the Popular Adventure Films of the Weimar Republic

Editors: Williams, John Alexander
Weimar Culture Revisited — Oct 17, 2015

Loading next page...
 
/lp/springer-journals/weimar-culture-revisited-middle-class-heroes-anti-nationalism-in-the-ukQXOFsXey

References (8)

Publisher
Palgrave Macmillan US
Copyright
© Palgrave Macmillan, a division of Nature America Inc. 2011
ISBN
978-1-349-29215-8
Pages
73 –97
DOI
10.1057/9780230117259_4
Publisher site
See Chapter on Publisher Site

Abstract

[Scholars traditionally read Weimar film as a symptomatic manifestation of national traditions, longings, and fears. Siegfried Kracauer’s seminal work of 1947, From Caligari to Hitler, identified postwar German film with the three major paradigms customarily associated with Weimar culture as a whole: ominous anticipation of the rise of Nazism, inability to come to terms with the traumatic experiences of World War I, and dispassionate escapism in the face of contemporary crises.1 While present-day scholars reject Kracauer’s focus on the “German soul” and its psychotic pathology, they often share his perception of the essential role of films in the formation of postwar German nationalism.2]

Published: Oct 17, 2015

Keywords: Private Sphere; Social Reform; City Dweller; Modern City; Program Guide

There are no references for this article.