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Nadine Rossol (2010)
Performing the Nation in Interwar Germany
Burkhard Asmuss (1994)
Republik ohne Chance? : Akzeptanz und Legitimation der Weimarer Republik in der deutschen Tagespresse zwischen 1918 und 1923The American Historical Review, 101
[Visual impressions shape our perception of historical time periods and remind us of the importance of photographs, pictures, or films for the reconstruction of the past.1 The term “Weimar culture” generally evokes a set of mental images, despite the fact that very few of us will have personal experiences of 1920s Germany. Some of these snapshots are of the stunning Marlene Dietrich, the modern architecture of the Bauhaus, or Charleston-dancing girls in short dresses. Breathtaking cultural prosperity stands in sharp contrast to political turmoil and economic depression. In these images, Weimar Germany was crisis-ridden and exciting at the same time, although we need to keep in mind that the admiration of Weimar culture is in part a post-1945 phenomenon.2]
Published: Oct 17, 2015
Keywords: Foreign Minister; State Symbol; Sport Competition; Weimar Republic; Popular Participation
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