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Clarice Lispector, Idra Novey, Caetano Veloso, Benjamin Moser (1964)
The Passion According to G.H.
Luz Horne (2021)
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Anne Dufourmantelle (2019)
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Gregory Zilboorg (2015)
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(2019)
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Lídia Santos (2010)
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(2012)
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The poetry of paintingNotes and Queries
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Where were You Last Night?" features a nocturnal, trance-like scene with an androgynous godlike presence, commanding and speaking to an ecstatic multitude atop a mountain
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Moser points out Clarice's name hiding in the names of female characters of hers, such as Lóri and Lucrécia
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L. Langman, D. McCleland (1977)
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9 I examined the exit from ordinary life toward “ the impersonal ” and “ beatitude ” in “ Approaching Impersonal Life with Clarice Lispector . ” 10 Clarice ’ s story “ Where were You Last Night ?
(2012)
Translated by Stefan Tobler, New Directions
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Discovering the worldEye, 1
Fernanda Negrete (2018)
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Mark Wynn (2020)
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Abstract This essay explores the sense and embrace of risk in Clarice Lispector’s writing. Beginning with a newspaper contribution from her Crônicas, the essay foregrounds the dimension of repetitive tracing to transmit the notion that the risk of living is ongoing, inescapably, but that there is a possibility of stepping forward to embrace this risk differently. The essay then turns to a scene that captures this gesture well: the scene of a woman bathing in the sea, which Clarice returned to and published several times. This gesture is compared to philosophical considerations of risk in terms of what escapes reason and calls for a different disposition – of faith (Søren Kierkegaard, Blaise Pascal) or ecstasy (Georges Bataille). The essay examines the particular notions of joy and saber that Clarice insists on as the consequence of risk, and it explores different responses to this joy’s discovery in Clarice’s fiction, showing their relation to what psychoanalysis calls “feminine jouissance.” This joy is a human experience that exceeds cultural formatting. Clarice’s writing, I suggest, is traversed by a nomadic voice beyond meaning whose work bears a striking resemblance to that of drawing and the voice in Willy Apollon’s account of Haitian Vodou. I propose that writing in Clarice Lispector is the field of an ethics of risk insofar as it welcomes, upholds, and gives what has been excluded from language.
Angelaki – Taylor & Francis
Published: Mar 4, 2023
Keywords: risk; repetition; joy; Clarice Lispector; now; psychoanalysis
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