Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Contributors to This Issue

Contributors to This Issue DANIEL F. CASTRO PANTOJA is Assistant Professor of Musicology at the Uni- versity of North Carolina at Greensboro. He is a specialist in Latin American music with research interests that extend into populism studies, global music history, and decolonial studies. He is cochair of the AMS Global Music History Study Group and Area Editor for Northern South America for the Grove Dictionary of Latin American and Iberian Music. He is the first Latino recipient of the Society of American Music’s Wiley Housewright Dissertation Award (2020). GABRIELLE CORNISH is Assistant Professor of Musicology at the University of Miami Frost School of Music. Her research broadly explores the relations between sound, technology, and lived experience in the Soviet Union. In particular, her book project Socialist Noise: Sound and Soviet Identity after Stalin traces the intersection of music, media, and the politics of socialist modernity during the Cold War. Her re- search has been supported by the Fulbright Program, the American Musicological Society, the Association for Slavic, East European, and Eurasian Studies, and the American Council of Learned Societies. CORY HUNTER is Assistant Professor of Music at the University of Rochester and Eastman School of Music. His recent article “Thy Kingdom Come” http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the American Musicological Society University of California Press

Contributors to This Issue

Journal of the American Musicological Society , Volume 75 (3): 2 – Dec 1, 2022
Download PDF
2 pages

Loading next page...
 
/lp/university-of-california-press/contributors-to-this-issue-Q9dMJsKkm2

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
University of California Press
Copyright
© 2022 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
ISSN
0003-0139
eISSN
1547-3848
DOI
10.1525/jams.2022.75.3.629
Publisher site
See Article on Publisher Site

Abstract

DANIEL F. CASTRO PANTOJA is Assistant Professor of Musicology at the Uni- versity of North Carolina at Greensboro. He is a specialist in Latin American music with research interests that extend into populism studies, global music history, and decolonial studies. He is cochair of the AMS Global Music History Study Group and Area Editor for Northern South America for the Grove Dictionary of Latin American and Iberian Music. He is the first Latino recipient of the Society of American Music’s Wiley Housewright Dissertation Award (2020). GABRIELLE CORNISH is Assistant Professor of Musicology at the University of Miami Frost School of Music. Her research broadly explores the relations between sound, technology, and lived experience in the Soviet Union. In particular, her book project Socialist Noise: Sound and Soviet Identity after Stalin traces the intersection of music, media, and the politics of socialist modernity during the Cold War. Her re- search has been supported by the Fulbright Program, the American Musicological Society, the Association for Slavic, East European, and Eurasian Studies, and the American Council of Learned Societies. CORY HUNTER is Assistant Professor of Music at the University of Rochester and Eastman School of Music. His recent article “Thy Kingdom Come”

Journal

Journal of the American Musicological Society – University of California Press

Published: Dec 1, 2022

There are no references for this article.